How to avoid the hell of chasing screenplay notes…

January 9, 2013 § 6 Comments

screenplay rewritesOkay, so you just finished your latest feature screenplay or TV pilot—congratulations! You’ve probably been on a long journey of fear, insecurity, criticism, and possibly rejection, but also experienced creative highs and breakthroughs that you’ve never imagined before.  When the writing got rough, you didn’t avoid the work, but marched head on through the trenches and finally communicated your complete vision into the script.  During your latest quest to conquer your inner demons, you may have solicited notes from your trusted inner circle—your agent, manager or your screenwriting group of friends. They generously helped with constructive feedback that allowed you to zero in on your latest draft and finish on a high note. You’re now confident and ready to unleash the script upon Hollywood without any reservations.

If you find yourself in this situation, you’re in that rare and special creative place for writers—the precious period when we’re completely satisfied with our work. We’re temporarily immune to the biting sting of criticism, because we’re protected with confidence by the creative high that surges through our souls.  We know that we’ve done our best work and we can’t possibly write or create anything better at this moment on our journey. We’re working at the top of our game. It’s a precious feeling. Savor it because it quickly fades.

You now unleash the script upon Hollywood with complete your confidence in the work. Time passes and you receive feedback from a handful of producers or executives—and of course everyone has an opinion for a myriad of reasons. Maybe they dislike your genre?  Maybe they already have two projects like yours in development?  Maybe their last project that flopped was similar to yours? Their opinions could have nothing to do with the quality or your work, but come from their business considerations.

You certainly had high expectations going out with your latest project. The disappointment of this feedback can feel like they’re rejecting your talent and ability. If you allow it, your skewed perception of failure can open up the darkest places of fear and insecurity in your creative soul.  As writers, we must do our best to hold back these insidious thoughts, because they can become feelings, and if we believe our feelings are true, a false reality can sink our efforts.

pitchThis latest criticism can send you looking for more validation and can lead you into the hell of chasing screenplay notes. You’ll start to listen to anyone, because you’ve lost confidence in your work, and at this point you have no idea what’s good or bad. Out of insecurity, you give your script to a few other friends to read. You hope they’ll side with you and prove these producer’s notes wrong. The problem is you’re now stumbling through dangerous territory without a protective shield as you open yourself up to even more opinions. You already went though this process early on and crafted what you thought was your best work. How did you waffle and collapse so easily? It’s because you’re doubting yourself by thinking, “How could I have been so wrong? I was so confident that I was working at the top of my game.”

Time passes.  Your friends read your script and you sink deeper into a pit of self-doubt. What if their notes are similar to the others or worse yet, what if their notes are completely different? This opens up a new series of issues and now you don’t even know who to believe or trust. You certainly don’t trust your own opinions.

During this vulnerable period, it can take just one person’s unfavorable of offhanded comment to drown you in an ocean of self-doubt. You must stay strong and be able to consider every note for what it’s worth. Five different people will have five different opinions about your script. Now if they’re all the same notes about the same issues, then you should seriously consider their opinions—but if they’re all different notes, but everyone thought your script was well written, stay on course.

If you waffle and lose your confidence, you’ll make changes based on what one person’s comments… and then another person’s opinion… and change something else because another person didn’t like an aspect of your script… and suddenly you’re dismantling your story and chasing notes. If you’re all over the map with your vision—both you and your project will suffer.

I’m not telling you to completely shut out feedback on your script, but once you’re confident in your work and satisfied with your execution of it, close the door on any new notes. This is when you need to put notes into two categories: Constructive notes that help you to effectively tell your story… or more personal notes from those who tell you how “they would have done it differently if they wrote it.”  If you want to stay true to your vision, stay on target and filter every note with a bigger perspective.

I have a project out in the marketplace and I’m completely confident with the script. I will only make changes when a producer or company options or buys it. My mandate does not come from arrogance, but my confidence and satisfaction in my execution of my script. This spec took me through nine drafts over an eight-month period to finally get it to a place where I’m confident that it represents the best of my writing. My manager has shown confidence by never suggesting that I make any changes based on any specific feedback. That would be chasing notes. In fact, I’ve been blessed that the feedback so far has been extremely positive and every producer has really responded to my writing. The script continues to highlight my ability and talents as a screenwriter. That’s hard enough to achieve when you’re sending around a spec script in Hollywood.

You’ll always receive notes on your screenwriting journey, because the script is an ever-changing blueprint for a movie. Once producers, a director and actors get involved there will be more changes and you should welcome the creative input from your co-creators on the project. These fellow artisans will bring it to an entirely new level of creativity.

Always be open to the entire process of writing — the notes, rewrites and all. Practice patience.  A career does not happen overnight and part of your journey is becoming a better writer and finding your unique voice—one that producers will grow to love, trust and hopefully hire you to write a screenplay.

You’re lucky when you are completely satisfied with a draft.  If you’re confident that it’s the best of your ability at this given time, do not chase notes. There’s a deep satisfaction and confidence that comes from knowing that as far as you’re concerned, you’re finished with your project. Any new changes will require a producer or executive to come on board and buy it.  Trust me, there will be plenty of notes to come when it goes into development and you will gladly execute these notes because you’re under contract and getting paid. You only have one chance to make a first great impression with your screenplay, so keep writing and keep the faith, and never chase notes.

“Blessed is he who expects nothing, for he shall never be disappointed.” —Alexander Pope

If good, you learn from it. If bad, you learn even more. Work done and behind you is a lesson to be studied. There is no failure unless one stops.”—Ray Bradbury

I am never indifferent, and never pretend to be, to what people say or think of my books. They are my children, and I like to have them liked.” — Henry Wadsworth Longfellow

 “Don’t mind criticism. If it’s untrue, disregard it. If it’s unfair, keep from irritation. If it’s ignorant, smile.  If it’s justified, learn from it.” — Old Chinese Saying

As a screenwriter I have a sense of exile from thought, a nostalgia of the quiet room and balanced mind. I am a writer, and there comes a time when that which I write has to belong to me, has to be written alone and in silence, with no one looking over my shoulder, no one telling me a better way to write it. It doesn’t have to be great writing, it doesn’t even have to be terribly good. It just has to be mine.”—Raymond Chandler – “A Qualified Farewell”

You really have one chance to make a first great impression with your screenplay. Is it time to consider in-depth screenplay consultation? If so, consider my consultation services. Click on the blue icon below for the link to my website and more information.

Screenplay consultation services

hemingway

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§ 6 Responses to How to avoid the hell of chasing screenplay notes…

  • Couldn’t agree more. Too many chefs…

  • Dwayne Conyers says:

    It is, unfortunately, the nature of the beast.

  • Excellent article. My latest screenplay has just been signed off ahead of filming in October and to say it’s been an emotional rollercoaster would be an understatement. Primarily because it’s an adaptation of my own novel and you can imagine the kind of problems that’s caused me as a writer. It’s certainly brought new meaning to the phrase ‘letting go’.

    Thankfully, I’ve been working with a brilliant director and a great lead actor so we’ve finally got it into good shape but boy, did it take it out of me!

    • scriptcat says:

      Huge congrats! I couldn’t imagine having to adapt your own novel and the issues of being completely objective and “letting go” as you say. Can you mention the title so we can follow the movie’s progress and eventually see it?

  • bünyamin Burak says:

    Congratulations…
    by this writing why I am gratefull for internet!

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