Scriptcat’s Top 10 Disciplines to Being a Professional Once You Sell the Script……
February 6, 2015 § Leave a comment
Okay, you finally have some interest in your screenplay, perhaps an option or maybe a sale. Congrats! Now the real work begins. It’s one thing to write your spec in a protected bubble, where every idea is yours and you never have to change a word—now you’re thrust into the professional world of screenwriting. This is not the amateur hour and not the time to act like an aspirant. You’ve been granted entrance behind the gates and just graduated into the big leagues, so your attitude and actions must follow. Even if you’ve never sold anything yet, you should always act like a professional. Okay, you sell a project and there is interest in your talents, that is an amazing start, but never believe you are Hollywood’s new gift to screenwriting—you aren’t and there are thousands, possibly ten of thousands of other writers, equally as talented, more driven to success, who are not divas and can get the job done.
It is a fickle business where years can pass between jobs, writers are “hot” and then not, and life can get in the way and derail even the best attempts at a career. Hollywood owes you nothing, so respect the journey or the business will humble you. This is one of the most important lessons I’ve learned on my fifteen plus years as a professional screenwriter. It’s such a competitive business with the odds stacked against you even before you start your next script, but if you always act as a professional, your reputation will definitely help you before and finally when you do land an opportunity. I’ve experienced it over a dozen times with jobs, and I’m sure it is what has helped me secure my assignment jobs over other writers. Yes, talent is very important, that is a given, but the ability to craft a really good first draft, execute notes, being a team player and collaborator, all of these professional actions can mean the difference between securing a job or not. I’ve been on the short list many times for projects, and I’ve secured the jobs because I can show the producers that I care and they can trust me. This is how you get hired again and again—that’s called a career. Remember, luck is a prepared screenwriter who meets with an opportunity and knocks it out of the park. Here is my TOP 10 list to help you stay in the game as a professional after you have sold a script:
1. Always deliver your best work, every time, regardless of your salary. You’ll probably make very little money at the start, but always look at the bigger picture—a long and successful career.
2. Be the writer/collaborator whom they trust to execute the notes and get the job done.
3. Never be late for meetings. Ever. They are late and make you wait, don’t you do the same.
4. Don’t be precious with your screenplay. Never get testy about script notes or show your anger. A “team player” works again. Remember, no scene or dialogue is wroth losing a job over. Trust me.
5. Go the extra mile on the project and clearly show them how invaluable you are to the producers.
6. If you haven’t trained enough or built up the ability—pay close attention to all details. So many things slip through the cracks, it’s your job to make sure to point every one out for the sake of the film. They will appreciate you for it.
7. Become a repository of knowledge about the script for the director, producer and actors. Help them make the film and offer any support you can to make their job easier. You have lived and breathed it more than they will ever do and it came out of your head so you’re the expert.
8. Always turn in your work on schedule or early. You want to build your professional reputation as someone the producers can trust.
9. Be fun to work with on projects. Your unique personality will go far and if you’re fun to be around, people will remember your positive characteristic. Nobody likes to work with a diva or A-hole.
10. Be humble and know that we all are just traveling from job to job. The work you do now is going to pay off over the long haul for your career, so always keep the bigger picture in mind and do everything you can now to build a solid foundation for success.
Being a professional doesn’t only mean that you’re getting paid to do your craft, it means you always follow the code of a professional in a business where time is money and they don’t put up with divas. You’ll always find opportunities to build your reputation and integrity as a professional screenwriter. It will take some time to build up a solid reputation, but it’s vital if you want longevity in this business. Every new project is a chance to build new relationships and show the producers and executives they can trust you by being a person of your word. If you promise to do something—do it. It’s really that easy. Over time, these professionals will know they can count on you and that your word means something. It’s part of being a professional in all aspects of your career and you will attract those by the way you act. Keep filling your blank pages because if you stop… you’ll never have a shot at any level of success. @Scriptcat out!
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“… a basic “must” for every writer: A simple solitude—physical & mental.”—Rod Serling
Stephen King with advice from his old newspaper editor John Gould: “Write with the door closed, rewrite with the door open.”
“Ultimately, we all have to decide for ourselves what constitutes failure. But the world is quite eager to give you a set of criteria if you let it. [F]ailure means a stripping away of the inessential. I stopped pretending to myself to be anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena where I believe I truly belonged. [R]ock bottom became the solid foundation on which I built my life.” ~ J.K. Rowling
“People really are afraid to find out just how much hardship and poverty they can stand. They are afraid to find out how tough they are. Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don’t have time to bother with success or getting rich.”—William Faulkne
“This is, if not a lifetime process, it’s awfully close to it. The writer broadens, becomes deeper, becomes more observant, becomes more tempered, becomes much wiser over a period time passing. It is not something that is injected into him by a needle. It is not something that comes on a wave of flashing, explosive light one night and say, ‘Huzzah! Eureka! I’ve got it!’ and then proceeds to write the great American novel in eleven days. It doesn’t work that way. It’s a long, tedious, tough, frustrating process, but never, ever be put aside by the fact that it’s hard.”—Rod Serling “Being an artist means not having to avert one’s eyes.”—Akira Kurosawa