Three more tips, tricks and tactics for your screenwriting journey…
December 18, 2015 § Leave a comment
If you’re a regular reader of this blog, first of all—THANK YOU! I truly hope you’re busy creating and forging ahead on your screenwriting journey. As you may know, I’ve been adding short posts (nothing is EVER short on this blog!) and sharing various survival tips. I do speak about these in over 180 articles on this blog, but this feature will be a quick reference to glance over and consider as you navigate your screenwriting journey. Follow me on Twitter (@scriptcat) and I’ll be posting new articles here from time to time. Thanks for reading and as always: Carry on, keep the faith and keep screenwriting! Okay, here are three more survival tips that will help you on your screenwriting adventure…
Find filmmaking mentors and apprentice with them. Another good way to do your homework with regards to learning is to find a filmmaking mentors and apprentice under them or at least have access to them as they are working. Many busy screenwriters need an assistant and they’re willing to pay an hourly wage for the job. It’s a great way for aspiring screenwriters to learn while getting paid. If you can’t find a paid position, offer your time to a working screenwriter in exchange for access to their knowledge and the whole process they go through daily. A true professional is always willing to give back and share knowledge. When you’re able to observe working professionals, be like a sponge and soak up everything you can and ask questions. I’ve been blessed over the years to work with many top professionals and veterans of the film business and a few have become my mentors. This includes directors and a few have become my mentors and friends. I’m currently working with two directors on various projects that we are developing together and will take out into the marketplace as partners. As I worked with them and collaborated on the films that I wrote, I was able to have inside and unlimited access to help build my screenwriter’s toolkit. Seeking knowledge is an ongoing discipline for every artist. Keep filling your blank pages. If you stop you’ll never have any chance at success.
Work your way to becoming a multi-hyphenate screenwriter. Eventually to gain more creative control over your projects, you’ll need to become a multi-hyphenate filmmaker and not just a screenwriter who is a “hired gun.” This means along with your talent for creating the script you will move into producing and or directing as a way to keep your total creative vision on the project. This won’t likely happen on your first few screenplays, but eventually you can negotiate your way into being one of the key decision makers or ultimately the director whose vision takes the script to the screen. Your goal is working your way into being a double threat: A writer/producer or writer/director—or a triple threat: a writer/producer/director.
When you just finish your first draft—do not immediately give it to someone for a read. Let the creative dust settle and go over it by yourself first. Avoid the temptation to give anyone your screenplay moments after you finish it. Put it away and let it settle for a few days or even a week before giving it your first read. You’ll be coming down from your natural creative high and you don’t want anyone to harsh your buzz. It’s the necessary time a screenwriter needs to spend alone with his/her script. You’re also in a raw and vulnerable place after giving birth to new material, so you don’t want feedback now to taint your clear vision or perspective. This will only lead to chasing notes because everyone has an opinion about your work. Keep your script close. Don’t boast or talk about it. You did the work now do something to celebrate. You need to enjoy the little and big successes on your long journey as a screenwriter. Keep the faith and keep filling your blank pages. Nothing is guaranteed, but if you quit you’re guaranteed never have any chance at success.
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“The time we have alone; the time we have in walking; the time we have in riding a bicycle; are the most important times for a writer. Escaping from a typewriter is part of the creative process. You have to give your subconscious time to think. Real thinking always occurs on the subconscious level.”—Ray Bradbury
“Do you have the patience to wait until your mud settles and the water is clear?”― Lao Tzu, Tao Te Ching
“All you need to do is write truly and not care about what the fate of it is.”—Ernest Hemingway
“No person who is enthusiastic about his work has anything to fear from life.”—Samuel Goldwyn
“I don’t think of it as an art. When it works it’s skill & craft and some unconscious ability”—Ernest Lehman
“When the last dime is gone, I’ll sit on the curb outside with a pencil and a ten cent notebook and start the whole thing over again.” — Preston Sturges