Screenwriting tips for your journey in Hollywood’s trenches…

June 28, 2018 § Leave a comment

FADE INIf you’re a regular reader of this blog, first of all—THANK YOU!  I truly hope you’re busy creating and forging ahead on your screenwriting journey and you’ve been able to take away a few nuggets of advice that helped. As you may know, I’ve been adding short posts (nothing is EVER short on this blog!) and sharing various survival tips. I do speak about these in the various articles on this blog, but this feature will be a quick reference to glance over and consider as you navigate your screenwriting journey. So, in addition to my tips on Twitter (@scriptcat), I’ll be posting new ones here from time to time.  Thanks for reading and as always: Carry on, keep the faith and keep screenwriting!

TIP #1        ONE SCREENPLAY WON’T DO IT…

PILE OF SCRIPTSYou may write a half-dozen specs that don’t sell before one of them secures you an assignment job from a producer or studio. Keep writing and finding your unique voice, keep mastering your craft, and really think about why you are writing your spec. What you write about is as important as how you write it.   You never know the perils that await you on your pathway to success, but the road is definitely paved with your spec screenplays—it just might take a half-dozen or more.

TIP #2         YOUR TIME IS PRECIOUS!

hang onAnd what about time? You don’t get it back on your deathbed. It’s your greatest asset or your worst enemy. It depends on how you use your precious time to create a solid body of work and continue to become a better screenwriter. That’s why I ask if you have an artist’s mentality — or the insanity to believe that even as you stare into the dark void of the unknown, your burning passion will guide you across yet another hurdle. You’ll need to withstand continued rejection, criticism, failure, and even sometimes ridicule — and if you can remain strong and shout with confidence, “I am a screenwriter” and truly believe it, because you are doing the work. You are sacrificing the time to create a solid body of work and not just talking about what you’d like to be doing. Write more, talk less.

TIP #3       DEADLINES, DEADLINES, DEADLINES… 

praise or blameIf you want to eventually work professionally, as I’m sure is your goal, you will need to work efficiently under a deadline, and at the best of your ability. It’s basically working quickly at the best of your creativity on a schedule and under a deadline. The only way to train for this is to always set your own deadlines and meet them every time with your spec screenplays. If you’re not practicing working under a strict writing schedule now, I’d suggest starting it on your next project. Write the same time every day, make your page count and get the job done. Meeting deadlines is what separates the professionals from the aspirants. When you do land a screenwriting job, you don’t want to be without this vital ability and experience and then struggle to finish your new paid job under a deadline.

Keep writing and keep the faith.

Scriptcat out!

Copyright 2018 by Mark Sanderson on MY BLANK PAGE.

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Master CoverR2-4-REV2MY NEW SCREENWRITING BOOK available on AMAZON~

If your passion drives you to embark on this crazy adventure of a screenwriting career, you’ll need to prepare for survival in Hollywood’s trenches. Talent is important, but so is your professionalism and ability to endure criticism, rejection, and failure over the long haul. The odds may be stacked against you, but the way to standout in this very competitive business is to create a solid body of work and build a reputation as a team player and collaborator. The rest is just luck — a prepared screenwriter who meets with an opportunity and delivers the goods. “A Screenwriter’s Journey to Success” will help you prepare for your own journey with the necessary, tips, tricks and tactics that I’ve developed over the past twenty years of working in the film industry. It’s time to start living your dream as a screenwriter in Hollywood. Click on the book cover for the link to Amazon.

Having a hard time reaching your screenwriting goals? Maybe my on-demand webinar can help. Check out “A Screenwriter’s Checklist: 10 Questions Every Screenwriter Must Answer to Stay in the Game” now available in two parts, each $5.99. Click on the photo below for the link to the website.

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Click the photo for the link to the webinar.

“We all have the tendency to want to take the quickest, easiest path to our goals, but we generally manage to control our impatience; we understand the superior value of getting what we want through hard work. For some people, however, this inveterate lazy streak is far too powerful.”—Robert Greene, “Mastery”

“If a writer stops observing, he is finished.”—Ernest Hemingway

“Ultimately, we all have to decide for ourselves what constitutes failure. But the world is quite eager to give you a set of criteria if you let it. [F]ailure means a stripping away of the inessential. I stopped pretending to myself to be anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena where I believe I truly belonged. [R]ock bottom became the solid foundation on which I built my life.” ~ J.K. Rowling

This is, if not a lifetime process, it’s awfully close to it. The writer broadens, becomes deeper, becomes more observant, becomes more tempered, becomes much wiser over a period time passing. It is not something that is injected into him by a needle. It is not something that comes on a wave of flashing, explosive light one night and say, ‘Huzzah! Eureka! I’ve got it!’ and then proceeds to write the great American novel in eleven days. It doesn’t work that way. It’s a long, tedious, tough, frustrating process, but never, ever be put aside by the fact that it’s hard.”—Rod Serling

“Most writers can’t tell at the premise stage whether they’ve got a good story because they don’t have the training to see the deep structural problems in the idea before writing it as a script.”—John Truby

 

 

 

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