Momentum is vital to your writing success…

It happens to all screenwriters eventually. You’re working along on at a good clip, maybe writing five or more pages a day on a new script, and then a giant barrier drops in your way. Your writing comes to a crashing halt and you’ve lost that precious momentum. Welcome to the pitfalls of a writer’s life.

You know the positive feeling momentum can bring. It’s when you have to shut down your writing for the day, but you can’t wait until the next morning to get back to work. It feels like your characters are waiting for you to get them into the next scene and they are frozen until you do. You feel like you’re doing your best work to date and that is fueling a creative explosion. This day-to-day schedule and working in the zone to finish is momentum — the force that propels your writing forward and enables you to complete your screenplay on a schedule. Never underestimate the energy that comes with screenwriting momentum. Working from a solid outline, you can reconnect with the material the next day and the next, and this is how you stay on target to finsih.

time warp in Hollywood

Once you start working professionally, you can also lose momentum on a project when the producer or production company takes longer with their notes than you expect. This can derail your splendid career plans but also your creative process. If you want to work as a professional screenwriter and keep your sanity, you have to accept that Hollywood runs on its own schedule. Yes, your contract will have provisions about when your script is due and the producer’s reading period for notes, but the process can take longer than you’re used with your specs. Don’t allow this shift in momentum to throw you off your game. Your ability to jump back onto a project and execute notes will show producers that you are a professional who can deal with any screenwriting situation. Meet the challenge head on and go with it.

When writing your specs, this is your training to keep up your writing momentum. After your first few screenplays, you will gain precious experience and be more confident with your writing abilities. You’ll know if you can write for eight hours a day or not, and how long it might take you to write a full feature screenplay. I have gained that precious experience over the years, and after 41 feature length scripts written, I know exactly how long it would take me to finish a screenplay because I’ve done it — time and time again. This momentum also is vital for the pursuit of your career. Every day, do something that contributes to moving farther down the field where you can plant your flag. Sure, you will face rejection and set backs. It’s part of the journey, but you will also experience successes. All forward momentum is about gaining new ground with your writing. That includes your continual learning, writing new projects, facing criticism and rejection and coming back stronger, building new relationships, and of course writing new projects.

After all, you are human and subject to imperfection. If you allow any barrier to derail your momentum or your scheduled writing time, procrastination and distractions will keep you from completing your pages. You want to see concrete results and feel like you’re constantly moving forward toward your end goal — becoming a working screenwriter and having the world see your projects. Momentum is too precious of an energy to be wasted. Be aware when you are losing it and redirect your course before you lose too much time.

Keep writing and keep the faith.

Scriptcat out!

Copyright 2021 by Mark Sanderson on blog My Blank Page.

See you on Twitter: @scriptcat and Instagram: marksanderson_scriptcat

“Hollywood is Hollywood. There’s nothing you can say about it that isn’t true, good or bad. And if you get into it, you have no right to be bitter—you’re the one who sat down, and joined the game.” —Orson Welles

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The myth of “making it” in Hollywood…

bag of moneySure, everyone wants to be on the A-list at the top levels of Hollywood. It that realistic? Who knows? And what is your definition of “making it?” Having huge paydays for your screenplays and creative satisfaction? Good luck. Maybe it’s making a living in a tough business and waking up doing what you love for a living? That’s more realistic, but who knows where you will end up? Many talented writers toil away for years and never sell anything while others with less talent and drive end up working. It’s a screwy business for sure.

As working screenwriters ,we all just one project away from looking for our next job. We’re like a band of gypsies who roam from job to job trying to stay in the screenwriting game and make a living. Even if you’re writing on a TV series, the season ends, and many times so does the show when it’s cancelled. Then what? You have to find your next gig. I thought when I scored my first professional writing job that I had finally “made it.” I was able to quit my restaurant job as a waiter and I thought this was my big break. That was until the producers fired me six weeks into the gig. It happens. I didn’t “make it” but it was just another step on a very long journey. What it did was get me out of the restaurant job and I never looked back. It’s been a long haul journey to reach where I’m at currenly, but it’s due to my drive, tenacity and never giving up.  Last year I was blessed with five screenplay assignments, three of the films have premiered and distributed, one film just wrapped production last month, and I’m working on the second draft of another. It happens if you stay in the game. So, “making it” is all relative. Getting your first gig or next gig is “making it” in my opinion.

You have to shoot your dreams to the moon to even reach half way there, but know that Hollywood is a tough business to achieve any level of success. Your idea of success can’t always be about making a big sale or climbing to the A-list overnight. You won’t survive over the long haul journey if you have an “all or nothing at all” attitude. I’ve known people who would only consider themselves a success if they became an A-list talent. It wasn’t worth the tremendous effort to them to end up only making a living at their craft and not being on top. They only wanted to be superstars and nothing less. When I was pre-teen kid and making films with my friends, I only ever wanted to make a living getting paid to do what I loved to do—make movies. I’m happy waking up in the morning and getting paid to be creative.  That’s my dream come true.

And the longer you’re in the film business with its ups and downs and busy and slow periods, you may change your opinion as to what “making it” is in your mind. Few achieve the top levels of any field. Shoot for the moon, but it’s not such a bad thing to get paid to do what you love for a living too. This might require you to adjust your lofty goals of achieving A-list status. It’s okay to make a good living being an artist too. Fame, fortune, and glory are elusive in the screenwriting game.

PILE OF SCRIPTSDon’t take any successful step forward for granted because what might appear to be a tiny step forward can actually be a huge successful step in disguise. If you can get your material to assistants for consideration, it’s a new opportunity for you to plant your flag and hold new ground if they like your writing. If they pass on your script but like your writing it might feel like a failure now, but it’s something that will pay off down the road. It’s a little success and positive step forward to celebrate. Even a tiny step like meeting an assistant and keeping in touch as a new contact is a successful step.

Back in the day when I was shopping my spec around Hollywood and getting rejected at every turn, I met an assistant through a mutual contact and that assistant got his boss interested in my spec enough to option and later buy it and produce it into a movie. The assistant went on to become the president of the production company and hired me to write movies for them and later became an independent producer and hired me again for more assignment work. You never know where the tiny successes will lead, but they do add up and help you establish your experience and eventually a career.

Before I was blessed to be a working screenwriter, I entered my fifth spec script in various screenwriting contests and it ended up being a semi-finalist in the Nicholl Fellowship that year. It placed in the top 1% of all entries worldwide and was in the top twenty scripts overall, but did not end up as one of the eight finalists. I could have looked upon this as a complete failure, but I used my script’s advanced placement as a successful step forward and convinced producers to read it because of my achievement. I eventually found a producer who saw my script’s potential and his new production company bought my project and produced it into a movie.

Be aware of your negative thoughts about your self-worth as it relates to your screenwriting success or failure. The more negative thoughts you have, the more it becomes an emotion and then it’s hard to separate your thoughts from your emotions. You can actually start to believe a reality that isn’t true. Many times it’s not always about the sale or the immediate final result of a project. A rejection or “pass” now can actually be an open door later and another project because they like your writing and want to see more of your material. What seemed like a failure at first might really be a successful step because you started a new relationship with a producer or executive and now their door is open to you. This is why you must work on your next project because the key to a successful career is building these relationships with a solid body of material.

It will take at least four scripts to really find your voice and style. Screenwriting well takes time and experience, so be patient. This is a marathon and not a sprint. Completing your latest screenplay is “making it.” Keep making it and eventually you’ll land a real screenwriting job that will be the first step of a long journey to stay in the game. Don’t be depressed when your script doesn’t sell the first time out because most aspiring screenwriters rarely sell their first screenplays.

Scriptcat out!

Copyright 2018 by Mark Sanderson on his blog MY BLANK PAGE.

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“So the only environment the artist needs is whatever peace, whatever solitude, and whatever pleasure he can get at not too high a cost. All the wrong environment will do is run his blood pressure up; he will spend more time being frustrated or outraged. My own experience has been that the tools I need for my trade are paper, tobacco, food, and a little whiskey.”—William Faulkner

“I have a theory: not to bore the audience. You make pictures, in a way, for yourself, but you also make them for an audience.”—director William Wyler, Conversations with The Great Moviemakers of Hollywood’s Golden Age at the American Film Institute.

“This is, if not a lifetime process, it’s awfully close to it. The writer broadens, becomes deeper, becomes more observant, becomes more tempered, becomes much wiser over a period time passing. It is not something that is injected into him by a needle. It is not something that comes on a wave of flashing, explosive light one night and say, ‘Huzzah! Eureka! I’ve got it!’ and then proceeds to write the great American novel in eleven days. It doesn’t work that way. It’s a long, tedious, tough, frustrating process, but never, ever be put aside by the fact that it’s hard.”—Rod Serling

The reward of suffering is experience.”—Aeschylus, Ancient Greek Dramatist known as the founder of Greek Tragedy

“Unlimited budgets make for a lack of precise decision-making.”—producer Lynda Obst in her new book: Sleepless in Hollywood

“Starting tonight, every night in your life before you go to sleep, read at least one poem by anyone you choose. Poetry and motion pictures are twins.”—Ray Bradbury