Practice patience… Hollywood runs on its own schedule.

January 16, 2017 § Leave a comment

hang onTime can burn so quickly as you pursue your screenwriting career in Hollywood. After you finish a screenplay and await feedback, if you watch the clock it can leave you hanging. Your script is the most important thing in the world to you—but you quickly discover it’s not to everyone else. This is when a time warp happens and you realize you’re now on Hollywood’s schedule. It’s a strange world of fear, unknowns, half-truths, promises, good intentions, and sometimes a very long wait for any feedback.

As a screenwriter, you spend so much time and energy finishing a script, once you finish how can you temper your excitement? This is what we live for as screenwriters—the excitement of completing a new project and moving forward with establishing your career. It’s playing the screenwriting game, living as a wide-eyed dreamer with hope for another chance up to the plate with every new screenplay. It’s empowering to work on your own schedule and steer your own ship seemingly in control of your destiny.

The journey after completing your script may become long and bumpy. Sometimes it may take years for a project to see any type of real progress. It was seven long years from the time I typed “THE END” of my fifth spec to the day the cameras rolled. You never know what adventure lies ahead for each project you complete. As a screenwriter with dreams of working in Hollywood, you must realize every aspect of your progress will take time. You have to learn the important virtue of patience, or you will live with constant anxiety and pressure for your script to move you farther down the field—or God forbid to dig you out of a financial hole. Did you ever think, “I have to sell this one!”  Either way, you are in for quite an adventure.

Even if you do land a screenplay assignment, the business side of negotiation takes time.  My last contract for a script assignment went back and forth between my lawyer and the production company’s lawyer for a month. As negotiations continue on every deal point, the back and forth seemingly takes forever—and this is before you can start any work on the script. Unfortunately a holiday comes up, so it means another four or five days until a reply. It seems like torture, feeling as if you’re in the starting blocks waiting for the starter gun to go off—but it never does until you and the producer sign the contract’s final draft.  Learn patience.  It’s a vital part of your survival over the long haul screenwriting journey.

You may hit a slow patch on your journey as a working screenwriter, but if you keep writing you will never lose sight of your dreams. Your writing is the only thing you can control and the more you write, the better you will become. This will prepare you for when your opportunity does come. Think of building your career over the long haul and not just looking to hook one big script sale. If you believe your first spec is going to sell and make you a million dollars, see how you feel after you write ten screenplays with no sales.

smash head in wallLike any difficult journey, you’ll constantly be tested to see how badly you want a career in screenwriting and how much you are willing to sacrifice to keep doing what you love to do.  Sure, you’ll have failures, rejection, projects that die and never get made, and maybe other scripts languishing in development, but if the road gets bumpy, always keep the faith and your focus on the end goal—a career as a working screenwriter.

Always stay hungry, never get lazy, and keep true to your self-discipline. Don’t allow any day job or any person to derail your plans. Protect your dreams from all comers. We all need to put food in the fridge and pay our bills, but be aware of the pitfalls of a 9-5 job and how you may allow it to affect your writing.  If you have the drive and determination to go after your dreams, no day job or person will keep you away from your keyboard.  Only you can stop you from writing.

Writers write. Keep focused on the bigger picture.  Time burns quickly in Hollywood and every move seems to take forever. Their schedule is not yours, so temper your excitement and don’t allow disappointments to crush you. Time is precious, and we don’t get it back so use your writing time wisely—protect it and don’t get too upset when a simple read of your screenplay can take months. If this happens,  focus on your next project—so you’ll always have fresh projects in the works. When you finish a script, work on a new pitch, or a treatment, and get to work on various TV and feature ideas. Keep as many projects juggling as you can because the reality is a screenwriting career does not happen overnight. If you respect this fact, you’ll have a better experience and keep your sanity over the long haul.

Push yourself out of your comfort zone. Stay humble. Learn. Keep writing!

Scriptcat out!

Copyright 2017 by Mark Sanderson on blog My Blank Page.

Did you just complete your latest screenplay? Congrats! Time for in-depth analysis/consultation/editing? Check out my services by clicking on the blue icon below for the link to my website. You never get a second change to make a first great impression. Make the time to get it right.

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“Writers, like most human beings, are adaptable creatures. They can learn to accept subordination without growing fond of it. No writer can forever stand in the wings and watch other people take the curtain calls while his own contributions get lost in the shuffle.”—Rod Serling

“The well is where your “juice” is. Nobody knows what it is made of, least of all yourself. What you know is if you have it, or you have to wait for it to come back.”—Ernest Hemingway

“The problem is that being creative has glamour. People in the business end of film always say, “I want to be a producer, but a creative producer.” Or a woman I went to school with who said, “Oh, yes, I married this guy. He’s a plumber but he’s very creative.”—Woody Allen

“Directors have always been accused of rewriting unnecessarily—particularly by writers. Actually, most of the time it is deletion because a scene won’t work. You loved it in the original script, okayed it during pre-production, but when you get to the top of the second page of the scene you suddenly discover there is a resolution. It wasn’t evident until you took it in front of the camera. Oops, that’s the scene! There is no point in mucking up what is already good.”—Jerry Lewis

“Every time I go to a movie, it’s magic, no matter what the movie’s about”—Steven Spielberg

A simple “thank you” card goes a long way on your screenwriting journey…

January 12, 2017 § 2 Comments

handshake cartoonAs you slog through Hollywood’s screenwriting trenches, you must remain humble and thankful for any forward progress that you create. Be grateful for your meetings, when others want to listen to your ideas, and when others give you a hand and pull you up—even if it’s a small gesture of help. It’s about the time—that precious commodity we don’t get back as it clicks by while pursuing our dreams. When professionals take time in their busy schedules to either take a meeting, give you advice, read your script, or give you a referral—make sure they know how much you appreciate their effort on your behalf. Don’t take any of it for granted.

It may be considered “old school,” but a handwritten “thank you” card always does wonders to convey just how much you appreciate when others help move your career forward. I was reminded of this recently when a producer hired me for a quick rewrite job at the end of the year before the holidays. After I completed the job, I sent him a holiday/thank you card and mentioned that I looked forward to working with him more in the new year. I received back a reply after New Year’s that thanked me for my good work and that he too was eager to work with me in the coming months. This put me back on his radar and showed him that I took the time out of my schedule to make sure he know my appreciation. It’s little gestures like this that go a long way. I’ve always done this type of communication ever since I started my career twenty years ago and it helps.

thank you cardAnd after you take a Hollywood meeting, maybe within a week, send a written “thank you” card to the person you met with to show your gratitude and to gently remind them of you. Never send a “thank you” e-mail. Many people in today’s world pay no attention to the small details of etiquette and that’s why it’s important. It will make you stand out from the crowd and display your integrity and build your professional reputation. Executive’s assistants sort the incoming mail and the hand-written notes are always stacked on the top of the pile and read first. When the producer or executive is busy with a thousand other distractions and daily commitments, your card will arrive and you’ll be a nice blip on their radar. They’ll appreciate the gesture and recall that not only are you a talented writer, but you’re respectful of their time and the opportunity they presented you.

You’re now acting as a professional, and preparing for when they allow you to play in the their big sandbox with their toys. Sure, sometimes a meeting is just a meeting, but you have to treat every experience as the important opportunity if affords you to display yourself as a professional who offers professional quality work. As you continue these methods, they will become effortless and you’ll build a reputation that will eventually get you hired or rehired. You’ll step through the door you just opened into the coveted world of a working screenwriter in Hollywood.  Welcome, it’s a nice place to get up in the morning and get paid to write a screenplay.

Scriptcat out!

Copyright 2017 by Mark Sanderson on blog MY BLANK PAGE.

Follow me on Twitter/Periscope: @scriptcat

Did you just complete your latest screenplay? Is it time for in-depth consultation before you unleash it upon Hollywood? Check out my services by clicking on the blue icon below.

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“The professional prepares mentally to absorb blows and to deliver them.  His aim is to take what the day gives him.  He is prepared to be prudent and prepared to be reckless, to take a beating when he has to, and to go for the throat when he can.   He understands the field alters every day.   His goal is not victory (success will come by itself when it wants to) but to handle himself, his insides, as sturdily as he can.”— Steven Pressfield, “The War of Art

“You must be confident enough to believe that you can “make it”—but humble enough to know it’s a long journey with much to learn.”—Scriptcat

“So the only environment the artist needs is whatever peace, whatever solitude, and whatever pleasure he can get at not too high a cost. All the wrong environment will do is run his blood pressure up; he will spend more time being frustrated or outraged. My own experience has been that the tools I need for my trade are paper, tobacco, food, and a little whiskey.”—William Faulkner

“So give yourself that chance to put together the 80, 90 pages of a draft and then read it very in a nice little ceremony, where you’re comfortable, and you read it and make good notes on it, what you liked, what touched you, what moved you, what’s a possible way, and then you go about on a rewrite.”—Francis Ford Coppola

“Seeking support from friends and family is like having your people gathered around at your deathbed.  It’s nice, but when the ship sails, all they can do is stand on the dock waving goodbye.  Any support we get from persons of flesh and blood is like Monopoly money; it’s not legal tender in that sphere where we have to do our work.  In fact, the more energy we spend stoking up on support from colleagues and loved ones, the weaker we become and the less capable of handling our business.” —Steven Pressfield, “The War of Art”

Communiqué from the trenches: Starting the year with a new gig and a challenge…

January 10, 2017 § Leave a comment

script revision photo copyI was blessed to end last year busy with two screenwriting jobs—one was a script doctor job doing a rewrite on a project that went into production in December and wrapped—and the other was a page one rewrite of a screenplay that I just completed this week. It was nice to have back-to-back jobs from a production company and producer whom I’ve worked for before. This is why your professional reputation is so vital to your longevity of your career. You want to be the “to go to” writer for a producer or production company who trusts you to deliver the goods on time. This timing of this particular job fit nicely into my schedule and a great way to start off the new year.

hang onI accepted the second job knowing it was going to be a huge challenge for me. Time was not on my side. Firstly, it was to completely rewrite a new draft of a screenplay and not use any of it—commonly called a “page one rewrite” and have it done within two weeks. Even after completing thirty-one feature-length screenplays, I still get anxious before every new project. It’s that feeling of the unknown and setting off on a new adventure that didn’t exist before. The longer you write the more tricks you know, but you still have to fill the blank page and slog through ACT TWO. I’ve been doing this long enough to practice humility in the face of the craft. I know from experience there are always unexpected surprises both good and bad. The bad ones can derail you if you allow them—and the good ones make you want to get up the next morning and get back to writing.

I signed the contact and went off to work in my workshop. This is when the shit gets real. It requited me to put in eight to ten-hour days writing a minimum of ten pages a day—and one day I even reached fourteen pages. I managed to complete this new screenplay in twelve days and beat my old record for a first draft of twenty days. It was screenplay number thirty-one on my journey to date. This latest assignment was a huge challenge for me as I’m generally not a fast writer. When I’m on an assignment, I like a pace of about five pages a day and that ends up with a screenplay in about twenty days. This assignment required me to really use my disciplines and focus every day without any distractions to meet ten solid pages. If I dropped below my page minimum for a day, I’d have to make it up the next day to meet my contracted deadline. This is why I always recommend that when you write your specs, you should always set a self-imposed deadline to train you for the time when you do get hired to write. It doesn’t hurt to train now for your future assignment jobs.

There were a few days when the writing became difficult. I couldn’t “see” the scenes and I really had to sit with the material and hunker down to focus. It’s so tempting to become distracted, leave the keyboard and venture off to do something else. I found myself being tempted daily to do this and I had to really force myself to never leave my seat. When the times got rough, I sat with the material and eventually the characters would lead the way or answer a question for me as they do every time. I would get up every morning and go back to work as if I was channeling the project. The disciplines worked for me as I turned the script in on schedule and the notes for the second pass should be coming soon.

Every job where you get paid is another step in establishing your career. If a produced film with a writing credit comes from it, so much the better. Take the work when you can get it, as there are a limited number of jobs out there and no limit on the number of screenwriters eager to do them. If you land a gig, consider yourself lucky. If you land two gigs back-to-back, consider yourself blessed and you’re doing something right.

There are no guarantees in the screenwriting game. Many projects that you write will never go through development or make it to production. This is why you need multiple projects going in the marketplace at all times for any chance that one or more will make it all the way. A project that I wrote on assignment last year was supposed to go into production in late 2016 and then it got pushed until this month. The recent news is that it has yet to get the green light and I’ll probably have to do another draft. It’s stalled right now in development hell as we call it. This is no fault of mine, but it doesn’t take the sting out of the reality that it may lapse into not being made for reasons out of my control.

So, the lesson here is don’t put all of your hopes and dreams into one project. Keep writing and creating new material so eventually one script will open a door and get you an assignment job that will keep you on the fast track of a career.

Scriptcat out!

Copyright 2017 by Mark Sanderson written on blog My Blank Page. http://www.scriptcat.wordpress.com

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“Most directors do not want to rewrite the script. They have more pressing commitments on the sound stage. The writer’s best insurance against a rewrite is to have an understanding of the directorial problems. Write a scene that can’t be played, no matter how beautiful the words or thoughts, is begging for a revamp.”—Jerry Lewis

“Because so much of directing is just getting the script right. Getting the beats to play, and knowing what to emphasise. To me, screenwriting isn’t just exit, enter, speak your lines. It’s really about establishing a rhythm, and directing on paper, to some extent.”—Shane Black

“As an artist, you are always striving toward an ultimate achievement but never seem to reach it. You shoot a film, and the result could have always been better. You try again, and fail once more. In some ways I find it enjoyable. You never lose sight of your goal. I don’t do my job to make money or to break box office records, I simply try things out. What would happen if I were to achieve perfection at some point? What would I do then?” — Woody Allen for The Talk, 2012.

“There are no minor decisions in movie making. Each decision will either contribute to a good piece of work or bring the whole movie crashing down around my head many months later.”—Sidney Lumet

“When I first meet with the scriptwriter, I ask him what is the story about—what do you see—what was your intention?”—Sidney Lumet

Guest blog post: Screenwriting lessons learned in recent years…

December 28, 2016 § Leave a comment

guest blogger It’s time again for a guest blogger here on MY BLANK PAGE! Appearing for his second time with another superb guest blog contribution… let’s welcome back U.K. screenwriter Niraj Kapur.

 

SCREENWRITING LESSONS LEARNED IN RECENT YEARS

by Niraj Kapur

In the last few years I’ve made three trips to L.A. for pitching events and meetings with producers. I’ve attended classes. Had a script coach. Hired script editors. Sacrificed family holidays and social time with my friends. I even had a signed contract from Electric Pictures, producers of Olympus Has Fallen and Lovelace, only to have it cancelled weeks later.

Here’s what I’ve learned which I hope create some valuable takeaways for my fellow screenwriters worldwide.

big booksEDUCATE YOURSELF

Writing, like most good professions, requires enormous investment and education. Screenwriting books, watching new movies, attending pitching events, writer’s conferences, flights from England, Uber, hiring script editors, have taken their toll, especially when you have a family to support. As successful people will tell you, “You get what you invest in.”

WRITE BIG, THINK SMALL

I’ve made the error of writing big budget commercial projects. While this has been an incredible experience and helped me develop more screenwriting skills, when I recently got mentored with a studio executive and also a top manager, they both said the same thing: “You know how to write, however, it’s going to be almost impossible to get anyone to fund a $100m script from an unknown writer” — even though I’ve had several commissions under my belt. “Focus on a small personal project, let your voice shine through. That’s what more writers should be doing, especially outside L.A.”.

handshake cartoonNETWORK… WITH WRITERS

When I attend networking events, I’m surprised by the number of writers who speak to nobody, or else complain there are no agents to connect with. Having a writing group — or friends who are writers, is a blessing and they’ve been there for me more than any agent or producer ever has. A strong support system is vital in screenwriting when you’ve had yet another rejection or spent endless hours during the week working by yourself.

DEAL WITH THE BIG REJECTION

Getting rejected is part of the business. When you get replaced on a movie by another writer, have a contract cancelled through no fault or your own, or meet a production company that is associated with a big movie star, the pain is greater and it takes longer to recover. It’s natural to feel sorry for yourself, but don’t overindulge. Winners get back on their feet and keep fighting.

sullivans-travels-052KNOW WHEN TO TAKE A BREAK

After three years of relentless work, six days a week, it’s important to take time off to regenerate, read, grow, develop, watch movies and live life. Now I’m back into the swing of screenwriting and enjoying it more than ever.
Good luck to all writers in 2017.

 

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Niraj Kapur worked as a writer-for-hire on several kids shows on British TV with numerous screenplay commissions and options. His first movie Naachle London was released in 2012. Find him online: www.nirajkapur.com

Twitter: @Nirajwriter

 

Seeking that elusive screenwriting validation on your journey…

December 12, 2016 § Leave a comment

thAh, validation. All writers have a need for  recognition of their work in a positive manner. We all need a pat on the back or just a “job well done” comment every once in a while. Many times you won’t find the validation you seek on the outside, but inside yourself for walking the talk and completing a screenplay. In fact, many times the only validation will come from when they stamp your parking ticket after the meeting. I’m always suspicious of the production companies that don’t pay for a writer’s parking. You pull into the parking lot and read the rates are $2.50 (£1.63 / 2.24) every fifteen minutes—ten bucks ( 8.96 / £6.52 ) per hour! It could be foreshadowing of a terrible ending. Sure enough, after the meeting is over they pass on your project and it’s like rubbing lemon into your paper cut as you race down the stairwell because the quarter-hour is approaching and you don’t want to blow another $2.50 unless you have to do it.

pitchAfter you finish a new screenplay it’s a vulnerable period because you’re exposing your work to criticism and possibly rejection. You’re coming off a major creative high and you don’t want anyone to spoil your euphoria. And then you discover it’s difficult to find someone else who shares your level of excitement about your script. It’s a feeling of lonely disappointment as if you’re the only person who is championing your cause. Stay strong and trust in your daily disciplines to get you through.

Writing the screenplay is the first big hurdle, but waiting for the validation from feedback is another. It’s easy to take notes personally because your script is your baby and your writing exposes yourself and your talents to the world. If you can’t handle critical opinions, work on detaching from your work, as it will make the process easier for survival. Notes and changes are standard procedure with any screenplay at every level of the film business because the script is an ever-changing blueprint for a movie.

Once the producers, the director, and actors become involved there will be changes and you should welcome the creative input from your co-collaborators. These fellow artisans will bring the script to an entirely new level of creativity. The problem comes when so many changes drag down the process and you become frustrated and feel like throwing in the towel. Stay positive and focus on turning in a script that is closer to what everyone needs to produce the film. That’s your ultimate goal—production. Find the passion you had for the first draft and put that energy into shaping the new draft. You’ll please not only yourself, but also the producer and other talent your script needs to attract to get produced.

I remember when one of my films screened for the cast and crew. I attended, sat next to the stars of the film, and even shared their popcorn. The producer addressed the audience from the screen where he introduced the key players who made the film and thanked them. He mentioned the stars, director, various crew members, even the craft service guy who  “made fantastic sushi.” I assumed he would mention my name, but somehow, it slipped his memory. I was embarrassed, and the stars of the film gave me a supportive look. The lights dimmed and the movie started—a movie that I wrote. CUT TO: The production company’s offices and after screening party. It was a crowded affair with many industry types and crew members. The producer found me in a crowd, marched over, and apologized to me. He said that he didn’t know that I was at the screening. Talk about validation…

script oddsIf you’re going to play in the majors, you’re competing with the best and you must accept that sometimes you won’t find the validation you need. Many times you will be disappointed from your feedback and your high expectations may be squashed. Your ego’s bruised, beaten to a pulp and you to doubt your talent and chances for success. Don’t take it personally, because feedback is a rite of passage necessary for the growth of any aspiring screenwriter. If you want to survive over the long haul of a career, you’ll need to toughen up and build your courage to endure disappointment criticism and rejection. As you embrace this process, you’ll begin to look at constructive feedback as a positive experience that helps make your script better and teaches you collaboration as a team player.

You’re certain to experience many disappointments as you pursue a career, but do not perceive any of them as failures or setbacks. These experiences are part of a screenwriter’s journey and you’ll always succeed if you keep a positive outlook and never stop writing.

Scriptcat out!

Copyright 2016 by Mark Sanderson on blog My Blank Page.

Follow me on Twitter/Periscope: @scriptcat

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“The reward of suffering is experience.”—Aeschylus, Ancient Greek Dramatist known as the founder of Greek Tragedy

“The writer’s only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then.”—William Faulkner

“Our doubts are traitors,
and make us lose the good we oft might win,
by fearing to attempt.”—
Shakespeare, Measure for Measure, Act 1 Scene 4

“Don’t focus on where you’re not (famous or A-list writer)—focus on where you’re at—hopefully screenwriting. Regardless of success or experience, we’re all equals in front of that blank page channeling the muse.”—Scriptcat

“Seeking support from friends and family is like having your people gathered around at your deathbed.  It’s nice, but when the ship sails, all they can do is stand on the dock waving goodbye.  Any support we get from persons of flesh and blood is like Monopoly money; it’s not legal tender in that sphere where we have to do our work.  In fact, the more energy we spend stoking up on support from colleagues and loved ones, the weaker we become and the less capable of handling our business.” —Steven Pressfield, “The War of Art”

Tips for survival while you await feedback on your screenplay…

December 9, 2016 § Leave a comment

pitchAfter we submit our script to someone for a read, we go through the “waiting game.” It’s that horrible period when the lack of any reply can fester inside a screenwriter’s head, and the fear of rejection and failure can fuel negative thoughts. We get enough rejection on our journey, so why create more anxiety for ourselves during the period when someone reads our script as we wait for them to get back to us, right? We have no control over when they will respond or even their response. Hopefully, we’ve done our best work in the script and what is on the page now it represents us without any excuses. It’s a process you will repeat over your entire career.

Many times, I’ve learned that no news is just that—no news. I’ve conjured us horrible scenarios only to be proven wrong when the good news comes. As creative people, we screenwriters can imagine all kinds of unknown situations in our head, writing, filming, and editing the outcome before it happens. That’s destructive thinking and wasted energy. The way to get through this period after you submit your script to an agent, manager, production company, executive, or contest is to stay busy. It’s vital to your mental state over the long haul. Even when you do forge a career, you will submit projects to your producers or executives so it never ends. It’s how you treat the waiting period that counts and staying in control is vital to your mental survival

script revisionIt helps to always stay busy with some form of writing. While your script is out and you await a response, you need to create other projects, new loglines, pitches, treatments, and work on a new screenplay. When you are busy, you won’t be obsessed with waiting for a response for those projects out in the marketplace. When the good or bad news trickles in, you won’t be destroyed by the comments or rejection because you will be too busy on your new screenplay. You open up new opportunities with every screenplay that you create. It’s vital to your creative soul to keep pressing forward and filling new blank pages.

hang onWhile you are experiencing the waiting game, it helps to remember that Hollywood works on its own timetable. It’s a time warp where nothing happens as fast as you’d like and sometimes it feels like even a few steps forward takes too long. Time can burn so quickly as you pursue your screenwriting career in Hollywood. You spend so much time and energy finishing your script, once you finish how can you temper your excitement? This is what we live for as screenwriters—the excitement of completing a new project. It’s playing the game, living as a wide-eyed dreamer with hope for another chance up to the plate. It’s empowering to work on your own schedule and steer your own ship seemingly in control of your destiny.

Remember, your script is the most important thing in the world to you—but you quickly discover it’s not to everyone else. This is when a time warp happens and your reality quickly shows down to Hollywood’s schedule. It’s a strange world of fear, unknowns, half-truths, promises, good intentions, and a very long slog. Again, it helps to stay busy and working on your next great screenplay.

handshake cartoonEven if you do land a screenplay assignment, the business side of negotiation takes time. On one assignment job, my contract for a script assignment went back and forth between my lawyer and the production company’s lawyer for a month. As negotiations continue on every deal point, the back and forth seemingly takes forever—and this is before you can start any work on the script. Unfortunately, a holiday comes up, so it means another four or five days until a reply and new draft of the contract. It seems like torture, feeling as if you’re in the starting blocks waiting for the starter gun to go off—but it never does until you and the producer sign the contract’s final draft.  This is when it helps to have patience my fellow screenwriters—learn patience.  It’s a big part of the life of a screenwriter and will help on your long haul journey.

The key to surviving the “waiting game” is to empower yourself by staying busy writing. As you create a new project, the energy comes from your mind as you drive your dreams forward with your passion for storytelling. Don’t give into fear during the waiting game because that’s what it wants you to do. If you don’t hear back within your artificially created deadline, fear might creep into your creative soul and you will easily believe that you are a horrible writer if you don’t receive feedback. Avoid this destructive habit by staying busy during this period. You’re onto your next project and too busy to worry about what happens with the last. That’s empowering and puts you back in control.

Keep the faith and keep writing because if you stop, you’re guaranteed to never have any shot at success. And trust me this is a business where there are no guarantees—even when you do sell a screenplay.

Scriptcat out!

Copyright 2016 by Mark Sanderson on My Blank Page.

Did you just complete your latest screenplay and need in-depth consultation? Check out my services by clicking on the blue icon below for the link to my website.

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Need a check list to help reach your screenwriting goals? Try my on-demand webinars. Click on the icon below for the link to buy or rent.

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Check out my Coffee Ring Cartoons Merchandise for screenwriters. Click on the photo below for the link to my online store.

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No, it’s not a very good story – its author was too busy listening to other voices to listen as closely as he should have to the one coming from inside.” — Stephen King

“The single most important question, I think, that one must ask one’s self about a character is what are they really afraid of? What are they really afraid of?  And if you ask that question, it’s probably for me the single best way of getting into a character. That finally is where stories are told… with a character that’s real.”—Robert Towne

“The professional understands delayed gratification.  He is the ant, not the grasshopper; the tortoise, not the hare… the professional arms himself with patience, not only to give the stars time to align in his career, but to keep himself from flaming out in each individual work.  He knows that any job, whether it’s a novel or a kitchen remodel, takes twice as long as he thinks and costs twice as much.  He accepts that.  He recognizes it as reality. He conserves his energy. He prepares his mind for the long haul.  He sustains himself with the knowledge that if he can just keep the huskies mushing, sooner or later the sled will pull in to Nome.” — Steven Pressfield, “The War of Art”

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Wrap up the year with three more screenwriting tips, tricks and tactics…

December 6, 2016 § Leave a comment

Completing your screenplayWe’re winding down the year, and I sincerely hope you’ve created new opportunities that have pushed your screenplays closer to success. Trust me, I know if can feel like you’re banging your head against a wall hoping for a breakthrough but finding the same results of rejection and criticism. I truly hope you’re busy creating a solid body of work and forging ahead on your screenwriting journey. I hope that I’ve been able to offer a few nuggets of advice that you’ve found helpful. In addition to my tips on Twitter (@scriptcat), my Youtube Channel .

I’ll be posting new tips here every month in addition to new articles. Dig in as I’ve written over 200 articles on this blog. I’m also broadcasting live on the new app PERISCOPE. Check it out. Thanks for reading and as always: Carry on, keep the faith and keep screenwriting. Okay, let’s cut to the chase and get right to the action—here are a few more useful survival tips for your journey…

TIP #1     ACT LIKE A PRO!

MARK4Act like a professional even if you’re an aspirant writing your specs. As a screenwriter, you must consider writing a job and this helps you to think of yourself as a professional. As with any job, it comes with deadlines, requirements and expectations, so it’s good practice to follow professional disciplines as you prepare for the time when you do get paid to write. If you train yourself to work under a deadline, it’s not a shock when the producer requires you to complete a script by a certain date. It’s no longer the romanticized dream of spending endless time working on your spec to get it just right—it’s “go time” and you’re now playing in the big leagues—exactly where you belong. The producer or executive expects greatness from you and you generally have six to eight weeks to deliver the first draft and its excellence will decide if they keep you on to write a second draft, or fire you. This is not the time for a “vomit draft.” If you start meeting your own deadlines when writing your specs, it will be easier later when they pay you under contract to meet a deadline.

TIP #2            ENJOY THE LITTLE SUCCESSES ALONG THE WAY.

megaphoneSometimes, the only nourishment we have in this barren wasteland of screenwriting is our faith and the anchor of the small achievement. No matter how small. Maybe you finished your script? That’s a major achievement. Maybe you finally got a producer to give it a read? That’s another successful achievement. The ingredients of a big success are usually a range of small successes all leading up to that sale or screenwriting job that jump starts a “career.” It’s the little successes that keep us going through the rough times. I know for me personally, what gets me through is seeing results from my forward movement and creating new material. Every screenplay opens up new opportunities. Always be moving forward, even if it’s a few steps at a time. Sure, you’ll stumble and experience failure during your journey, but avoid falling into the self-doubt pit where the darkness of fear overshadows your burning desire to make it as a screenwriter in Hollywood.

TIP #3         YOUR FIRST DRAFT IS DANGEROUSLY IMPORTANT.

fade inDo not fool yourself into thinking your first draft has to be shit. It’s just the opposite—your first draft is extremely important because the DNA of your story and characters lives in this precious first pass. I love this quote from six-time Academy Award nominee screenwriter Ernest Lehman (Sabrina, Sweet Smell of Success, North by Northwest, The Sound of Music, Who’s Afraid of Virgina Wolf?): “Good screenwriting is about carpentry. It’s a juggling of beginnings, middles and endings so they all inevitably seem to be moving correctly together. Your first draft is dangerously important. Don’t ever kid yourself into thinking, “It’s okay, it’s just the first draft.”  Beware of that thought, because it’s ten times more difficult to go in a certain direction once you’ve gone in another direction.”—Ernest Lehman.  It’s true. I know from experience that it’s difficult to totally rewrite a first draft from page one into something new. Sadly, too many times it ends up becoming a jumbled mess as the foundation of the story is being altered underneath the story. My advice is to make your first draft your best possible work at the time. When writing it, act as if you’ll never get another chance to touch the screenplay. You should use your specs as training to turn out a superb first draft to prepare you for the day when you’re hired on assignment. This pays off in many ways, most importantly when you’re working for a producer and your solid first draft secures the interest of investors, a director, and actors. A solid first draft will also keep you on the assignment and not replaced by another screenwriter. Make sure your screenplay suffers the fewest amount of changes during the development process. Trust me, you don’t want your script to get bogged down in development hell. It’s hard to climb out of that pit and too many times projects die a tragic death from too many drafts over a long period of time.

Keep writing and filling your pages because if you stop you’re guaranteed never to have any shot at success. Remember, this is a business with no guarantees even when you do sell a screenplay.

@Scriptcat out!

Copyright 2016 by Mark Sanderson – originally published on his blog MY BLANK PAGE.

Did you just complete your latest screenplay or a new draft? Are you “written out” and need a professional opinion about your script?  Is it time for in-depth consultation before you unleash it in 2017? Check out my consultation services by clicking on the blue icon below for the link to my website. Now offering a holiday sale with $25.00 off until December 31, 2016.

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