April 28, 2018 § Leave a comment
If you’re a regular reader of this blog, first of all—THANK YOU! I truly hope you’re busy creating new projects and forging ahead on your screenwriting journey. As you may know, I’ve been adding short posts (nothing is EVER short on this blog!) and sharing various survival tips. I do speak about these tips in the over 250 articles on this blog, but this feature will be a quick reference to glance over and consider as you navigate Hollywood’s trenches. Follow me on Twitter (@scriptcat). and on Instagram. I’ll be posting new articles here when my time allows. Thanks for reading and as always: Carry on, keep the faith and keep screenwriting! Okay, here are three more survival tips that will help you on your screenwriting adventure…
Another good way to do your homework with regards to learning is to find a filmmaking mentors and apprentice under them or at least have access to them as they are working. Many busy screenwriters need an assistant and they’re willing to pay an hourly wage for the job. It’s a great way for aspiring screenwriters to learn while getting paid. If you can’t find a paid position, offer your time to a working screenwriter in exchange for access to their knowledge and the whole process they go through daily. A true professional is always willing to give back and share knowledge. When you’re able to observe working professionals, be like a sponge and soak up everything you can and ask questions. I’ve been blessed over the years to work with many top professionals and veterans of the film business and a few have become my mentors. This includes directors and a few have become my mentors and friends. I’m currently working with two directors on various projects that we are developing together and will take out into the marketplace as partners. As I worked with them and collaborated on the films that I wrote, I was able to have inside and unlimited access to help build my screenwriter’s toolkit. Seeking knowledge is an ongoing discipline for every artist. Keep filling your blank pages. If you stop you’ll never have any chance at success.
Work your way to becoming a multi-hyphenate screenwriter.
Eventually to gain more creative control over your projects, you’ll need to become a multi-hyphenate filmmaker and not just a screenwriter who is a “hired gun.” This means along with your talent for creating the script you will move into producing and or directing as a way to keep your total creative vision on the project. This won’t likely happen on your first few screenplays, but eventually you can negotiate your way into being one of the key decision makers or ultimately the director whose vision takes the script to the screen. Your goal is working your way into being a double threat: A writer/producer or writer/director—or a triple threat: a writer/producer/director.
Avoid the temptation to give anyone your screenplay moments after you finish it. Put it away and let it settle for a few days or even a week before giving it your first read. You’ll be coming down from your natural creative high and you don’t want anyone to harsh your buzz. It’s the necessary time a screenwriter needs to spend alone with his/her script. You’re also in a raw and vulnerable place after giving birth to new material, so you don’t want feedback now to taint your clear vision or perspective. This will only lead to chasing notes because everyone has an opinion about your work. Keep your script close. Don’t boast or talk about it. You did the work, now go and do something to celebrate. You need to enjoy the little and big successes on your long journey as a screenwriter. Keep the faith and keep filling your blank pages. Nothing is guaranteed on this screenwriting journey except one thing— if you quit writing, you’re guaranteed never have any chance at success.
Copyright 2018 by Mark Sanderson on MY BLANK PAGE.
Did you just finish your latest screenplay or a new draft? Is it time for in-depth consultation? Check out the different packages I offer by clicking on the icon below to schedule your consultation. You never get a second chance to make a first great impression with your screenplay. Make the time to get it right before you unleash it upon Hollywood.
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Need help to navigate Hollywood’s trenches as you pursue a screenwriting career? Check out my new book “A Screenwriter’s Journey to Success” now available on Amazon. It chronicles my past twenty years of screenwriting professionally in Hollywood using my tips, tricks and tactics that have helped me to stay in the game. Click on the book cover for the link to Amazon for purchase.
Need help keeping focus on your screenwriting goals? Maybe my on-demand webinar can help. Click on the photo below for the link for the streaming rental.
“The time we have alone; the time we have in walking; the time we have in riding a bicycle; are the most important times for a writer. Escaping from a typewriter is part of the creative process. You have to give your subconscious time to think. Real thinking always occurs on the subconscious level.”—Ray Bradbury
“Do you have the patience to wait until your mud settles and the water is clear?”― Lao Tzu, Tao Te Ching
“All you need to do is write truly and not care about what the fate of it is.”—Ernest Hemingway
“No person who is enthusiastic about his work has anything to fear from life.”—Samuel Goldwyn
“I don’t think of it as an art. When it works it’s skill & craft and some unconscious ability”—Ernest Lehman
“When the last dime is gone, I’ll sit on the curb outside with a pencil and a ten cent notebook and start the whole thing over again.” — Preston Sturges
April 10, 2018 § Leave a comment
Ah, spring is in the air. The time for a fresh start when your ideas begin to bloom. I hope you’ve created new opportunities that have pushed your screenplays closer to success. Trust me, I know if can feel like you’re banging your head against a wall hoping for a breakthrough, but finding the same results of rejection and criticism. I truly hope you’re busy creating a solid body of work and forging ahead on your screenwriting journey. I hope that I’ve been able to offer a few nuggets of advice that you’ve found helpful. In addition to my tips on Twitter (@scriptcat) and my Youtube Channel .I’m also broadcasting live on the new app PERISCOPE. Check it out. Thanks for reading and as always: Carry on, keep the faith and keep screenwriting.
Okay, let’s cut to the chase and get right to the action—here are a few more useful survival tips for your journey…
ALWAYS ACT LIKE A PROFESSIONAL IN EVERY ACTION YOU MAKE.
Act like a professional even if you’re an aspirant writing who has yet to sell something. As a screenwriter, you must consider writing a job and this helps you to think of yourself as a professional. As with any job, it comes with deadlines, requirements and expectations, so it’s good practice to follow professional disciplines as you prepare for the time when you do get paid to write. If you train yourself to work under a deadline, it’s not a shock when the producer requires you to complete a script by a certain date. It’s no longer the romanticized dream of spending endless time working on your spec to get it just right—it’s “go time” and you’re now playing in the big leagues—exactly where you belong. The producer or executive expects greatness from you and you generally have six to eight weeks to deliver the first draft and its excellence will decide if they keep you on to write a second draft, or fire you. This is not the time for a “vomit draft.” If you start meeting your own deadlines when writing your specs, it will be easier later when they pay you under contract to meet a deadline.
DO NOT TYPE “FADE IN” IF YOU CAN’T HANDLE CRITICISM.
Don’t take criticism personally and realize that it’s part of the process. If you’re going to play in the majors, you’re competing with the best and you must accept that sometimes you won’t find the validation you need. Many times feedback on your script is disappointing and your high expectations become squashed. Your ego’s bruised, beaten to a pulp and you to doubt your talent and chances for success. Don’t take it personally, because feedback is a rite of passage necessary for the growth of any aspiring screenwriter. If you want to survive over the long haul of a career, you’ll need to toughen up and build your courage to endure disappointment criticism and rejection. Learn how to filter the good notes from the bad and ugly notes. As you embrace this process, you’ll begin to look at constructive feedback as a positive experience that helps make your script better, helps push it closer to something a producer wants to produce, and teaches you how to collaborate as a team player so you can work again.
REALIZE THAT TALK AND INTEREST ARE FREE AND CHEAP IN HOLLYWOOD.
You’ll learn the longer you pursue a screenwriting career that talk is cheap in Hollywood and people want credit for their good intentions—it’s the follow through that is usually missing. Too many times the words are empty promises that end up wasting an eager and hungry writer’s time. Money makes it real. Take everything as face value for talk is the cheapest commodity in Hollywood. Many times interest in you or your script and the endless talk is just that—interest and talk. Many times meetings are just meetings. Many times a producer’s upbeat attitude about your project can become infectious. You want to believe that others see your dream and can realize it. Why not? It’s what keeps us going as screenwriters—belief in our projects and the faith that success is just around the corner. I’m sure when producers and executives tell you that your project is going into production, they just might believe it themselves, but sometimes they tell a writer this to buy more free time. Producers want to keep a writer’s interest in hanging on until they “work out the pesky financing details” and it becomes the bait for more free work. If they can’t raise the money for the budget or they have no money in their development budget, there really is no money to pay the writer. Be understanding to a certain point and look at every situation through a risk/benefit filter. Are you willing to risk your free time with free rewrites on the possible chance a project “might” get produced? Get excited when a producer gives you a contract, you both sign it and you get paid. That’s the professional way—otherwise, you can’t live on the currency of good intentions. Now get back to your blank pages. If you stop writing you’re guaranteed never to have any chance at success.
Keep writing and filling your pages because if you stop—you’re guaranteed to never have any shot at success. This is a business with no guarantees even when you do sell a screenplay.
Until next time… @Scriptcat out!
Copyright 2018 by Mark Sanderson on MY BLANK PAGE blog.
If your passion drives you to embark on this crazy adventure of a screenwriting career, you’ll need to prepare for survival in Hollywood’s trenches. Talent is important, but so is your professionalism and ability to endure criticism, rejection, and failure over the long haul. My new book, “A Screenwriter’s Journey to Success” will help you prepare for your own journey with the necessary, tips, tricks and tactics that I’ve developed over the past twenty years of working in the film industry. It’s time to start living your dream as a screenwriter in Hollywood. Available now on Amazon. Click on the book cover for the link to purchase.
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“Do you have the patience to wait until your mud settles and the water is clear?” ― Lao Tzu, Tao Te Ching
“Deliberate practice, by its nature, must be hard. When you want to get good at something, how you spend your time practicing is far more important than the amount of time you spend. Regular practice simply isn’t enough. To improve, we must watch ourselves fail, and learn from our mistakes.”—Florida State University’s Anders Ericsson
“If you’re worried about failing, you ought to get into a different business, because statistics will tell you that sixty or seventy percent of the time you’re going to fail. By fail I mean that the movie won’t make money. Just do the best you can every time. And if you’re going to stay in the movies, and you like movies—and I love them—you’d better love them a lot, because it’s going to take all of your time. If you want to be in the movies, it’s going to break your heart.“—Richard Brooks, director of Blackboard Jungle, Sweet Bird of Youth, In Cold Blood, Looking for Mr. Goodbar
April 4, 2018 § Leave a comment
Generally speaking, there are three types of research for your screenplay: Experience, imagination, and reality. I believe doing your proper research shows respect for the subject you are writing. It hearkens back to my strong convictions about respect for the craft of screenwriting and living the life of a professional in all manner and action. Every aspect of your writing goes into your writer’s toolkit and you will draw upon these tools as your build and establish a career as a working screenwriter. How many movies have you seen that feel completely inauthentic? How many characters seem fake? Quite a few and it’s hard to mask inauthentic writing. This is why the best films come from a place of authenticity and it starts from the producer and screenwriter’s desire to get it right.
The fun part of being a writer is that your research is an ongoing process of venturing out into the world and living your life in an adventurous way. You constantly need to have new and different experiences to make your writing more truthful and creative. It helps to get out of your “comfort zone.” I don’t believe you can live in an ivory tower and write about life without ever really experiencing it from the gutter to the penthouse. I believe any writer needs to stay open and curious about the world. It’s our duty to experience life and fill our stories with truth and authenticity.
Maybe you’ve done research for a paper or report in college or high school and found the process frustrating and overly time-consuming. The process is the same when crafting your screenplay, so if you haven’t mastered the techniques of research, you need to learn how to use the process as a tool in your ability to craft an authentic project. If you’re hired for a screenplay assignment, you might write about something you don’t know. Many of my screenwriting assignment jobs have been to write a particular genre — military action, family, holiday, science fiction, thriller, natural disaster, even noir crime thriller. You’ll need to watch and study films of a particular genre to become an expert on the story, structure and characters in the types of genre movies you might write. You’ll also need to read other screenplays in the genre to become an expert in that particular world. Not a bad job, eh? Watching movies and reading screenplays as part of your screenwriting research.
So, how do you begin your screenplay research? You’ll need to have your basic story down first and as you compile your research, but make sure you don’t get lost in the process. As you know, us screenwriters tend to procrastinate, so don’t allow your research to keep you from writing your script. Make a list of specific issues or facts you need to research and use it as a guide to save time. The better you know your screen story, the faster you will be able to target the research topics as they will become clearer. Limit the time you spend on research, so set aside a block of time and keep to a schedule, take detailed notes and keep track of everything in a file or notebook. As you compile most of what you need to learn, switch the rest of your day to writing. Don’t waste unnecessary months, you can always go back and find specific items you need, but always get on with the process of screenwriting.
When I developed the basic story for my WWII coming of age spec screenplay, “I’ll Remember April,” I needed to flesh out the lives of the characters during this period in history. I needed historical details to add realism to my story. Authenticity was my mission, as I based my story on a historical military incident: The shelling of an oil refinery just north of Santa Barbara in Goleta, California by a Japanese submarine. It was the first attack on United States soil by a foreign power since the War of 1812.
I already structured my screenplay and spent three months reading every book, historical newspaper article, magazine and watched dozens of films to get into the mindset of the months surrounding February of 1942 when my screenplay took place. I interviewed my parents who remember the war as small children and I incorporated their feelings and experiences into my characters. I interviewed my grandparents, who were the age of my lead characters during the war, for a different point of view. All of this information went into my research notebook.
I needed to know what life was like on the home front of the United States in 1942—what troubled people living on the west coast, what was going on in Washington DC, what was happening in the battles of the South Pacific where our lead character’s son was fighting, how people reacted to rationing and the war, and the facts and events leading up to the Japanese internment? These topics were necessary research to make my story more authentic. Your screenplay may never be a hundred percent authentic, as it’s a movie and not a documentary, but always service the story first and then do your best to make it realistic. If you want to write a historical screenplay, hunt for your story first and don’t let the historical facts to keep you from writing—for the Hero’s Journey dates back to the beginning of storytelling. I believe the little details are important and trust me, someone will always find inaccuracies in your movie and point them out on their blogs, customer reviews, or the Internet Movie Database!
What if you don’t have screenplay credits, how can you get others to take you seriously with your research? You’d be surprised how easy it is to get people excited to help once you tell them you’re working on a project. The more serious and professional you are about your writing, the easier it is to draw others in to help your cause. You’ll find experts are very open to sharing their knowledge and will even do interviews to help you make your screenplay more authentic.
Years ago when I was writing a spec action screenplay that took place on a supertanker, my writing partner at the time and I contacted a shipping company in San Pedro, California and told them we needed to get on board of a ship to ask questions for our research. We showed our serious interest in their world and in return, they were extremely helpful and gave us a complete tour—from the bridge down to the bowls of the rear engine room with its gigantic propeller. It was a unique experience and I would have never set foot on a supertanker if it hadn’t been for our need to do research. You would be surprised how many times people want to help you if you just ask.
As I mentioned earlier, you must use the three types of research for your screenplay: Experience, imagination, and reality. Like the actor, I believe a screenwriter should go out of his or her way to log as many life experiences as possible to expand their writer’s arsenal. How can you possibly write about something and make it authentic without ever having experienced it? Sure, you can imagine what it would be like, but many times you get writing that isn’t authentic and is just a rehash of what you’ve either seen in movies or television. If you always write your stories from your unique perspective and experience, they won’t read or feel fake.
The ability to research is another important tool in your screenwriter’s arsenal. When you can’t write from experience, you need to do research and become a mini expert on a particular subject or film genre. Don’t get distracted by the process, set aside a block of time, target your topics of research, take detailed notes and move on with the job of writing. As you live an authentic writer’s life, everything you do and observe is research for your writing. Make it your goal to pursue as many different experiences in life as possible—it will enrich your writing and your life. Learn as much as you can about every subject and always strive to make your screenplays authentic. Again, it’s all part having respect for the craft of screenwriting.
Keep writing and keep the faith.
Copyright 2018 by Mark Sanderson on his blog MY BLANK PAGE.
Need help with your screenwriting goals? Check out my on-demand webinar “A Screenwriter’s Checklist.” Part One & Two available and other webinars for purchase ora streaming rental. Click on the photo below for the link to the website.
Subscribe to my screenwriting YOUTUBE CHANNEL for thirty-one videos with tips, tricks and tactics.
Did you just finish your latest screenplay? Check out my in-depth consultation services by clicking on the blue icon below. You never get a second chance to make a first great impression with your screenplay. Make the time to get it right.
Need help navigating Hollywood’s trenches as you pursue your screenwriting career? Check out my new book “A Screenwriter’s Journey to Success” now available on Amazon. It chronicles my past twenty plus years working professionally in Hollywood and my tips, tricks and tactics that I’ve used to stay in the game. Click on the book cover for the link to Amazon.
“I could be just a writer very easily. I am not a writer. I am a screenwriter, which is half a filmmaker. … But it is not an art form, because screenplays are not works of art. They are invitations to others to collaborate on a work of art.”—Paul Schrader
“A self-respecting artist must not fold his hands on the pretext that he is not in the mood.”—Composer Pyotr Ilyich Tchaikovsky in his 1878 letter to his benefactress.
“Plot is people. Human emotions and desires founded on the realities of life, working at cross purposes, getting hotter and fiercer as they strike against each other until finally there’s an explosion—that’s Plot.” —Leigh Brackett
“Then our writers when they have made some money increase their standard of living and they are caught. They have to write to keep up their establishments, their wives, and so on, and they write slop. It is slop not on purpose but because it is hurried. Because they write when there is nothing to say or no water in the well. Because they are ambitious. Then, once they have betrayed themselves, they justify it and you get more slop.”—Ernest Hemingway, Green Hills of Africa, page 23.
“Time stays long enough for those who use it.”—Leonardo da Vinci
March 16, 2018 § Leave a comment
Ah, validation. All writers have a need for some type of recognition of their work in a positive manner. We all need a pat on the back or just a “job well done” comment every once in a while. Many times you won’t find the validation you seek on the outside, but inside yourself for walking the talk and completing a screenplay. In fact, many times the only validation will come from when they stamp your parking ticket after the meeting. I’m always suspicious of the production companies that don’t pay for a writer’s parking. You pull into the parking lot and read the rates are $2.50 (£1.63 / €2.24) every fifteen minutes—ten bucks (€ 8.96 / £6.52 ) per hour! It could be foreshadowing of a terrible ending. Sure enough, after the meeting is over they pass on your project and it’s like rubbing lemon into your paper cut as you race down the stairwell because the quarter-hour is approaching and you don’t want to blow another $2.50 unless you have to do it.
After you finish a new screenplay it’s a vulnerable period because you’re exposing your work to criticism and possibly rejection. You’re coming off a major creative high and you don’t want anyone to spoil your euphoria. And then you discover it’s difficult to find someone else who shares your level of excitement about your script. It’s a feeling of lonely disappointment as if you’re the only person who is championing your cause. Stay strong and trust in your daily disciplines to get you through.
Writing the screenplay is the first big hurdle, but waiting for the validation from feedback is another. It’s easy to take notes personally because your script is your baby and your writing exposes yourself and your talents to the world. If you can’t handle critical opinions, work on detaching from your work, as it will make the process easier for survival. Notes and changes are standard procedure with any screenplay at every level of the film business because the script is an ever-changing blueprint for a movie.
Once the producers, the director, and actors become involved there will be changes and you should welcome the creative input from your co-collaborators. These fellow artisans will bring the script to an entirely new level of creativity. The problem comes when so many changes drag down the process and you become frustrated and feel like throwing in the towel. Stay positive and focus on turning in a script that is closer to what everyone needs to produce the film. That’s your ultimate goal—production. Find the passion you had for the first draft and put that energy into shaping the new draft. You’ll please not only yourself, but also the producer and other talent your script needs to attract to get produced.
I remember when one of my films screened for the cast and crew. I attended, sat next to the stars of the film, and even shared their popcorn. The producer addressed the audience from the screen where he introduced the key players who made the film and thanked them. He mentioned the stars, director, various crew members, even the craft service guy who “made fantastic sushi.” I assumed he would mention my name, but somehow, it slipped his memory. I sat there mortified and the stars of the film gave me a supportive look. The lights dimmed and the movie started—a movie that I wrote!
CUT TO: The production company’s offices and after screening party. It was a crowded affair with many industry types and crew members. After a few martinis, I was chatting with a character actor who starred in many Cohen Brothers films. The producer found me, marched over, and apologized profusely. He said that he didn’t know that I was at the screening. Talk about validation…
If you’re going to play in the majors, you’re competing with the best and you must accept that sometimes you won’t find the validation you need. Many times you will be disappointed from your feedback and your high expectations may be squashed. Your ego’s bruised, beaten to a pulp and you to doubt your talent and chances for success. Don’t take it personally, because feedback is a rite of passage necessary for the growth of any aspiring screenwriter. You’ll need to survive over the long haul of a career to endure disappointment criticism and rejection. As you embrace this process, you’ll begin to look at constructive feedback as a positive experience that helps make your script better and teaches you collaboration as a team player.
You’re certain to experience many disappointments as you pursue a career, but do not perceive any of them as failures or setbacks. These experiences are part of a screenwriter’s journey and you’ll always succeed if you keep a positive outlook and never stop writing.
Copyright 2018 by Mark Sanderson on blog My Blank Page.
Follow me on Twitter/Periscope: @scriptcat
Subscribe to my new YOUTUBE CHANNEL for my weekly screenwriting videos.
Did you just complete your latest screenplay and need in-depth consultation? Check out my professional services by clicking on the blue icon below for the link to my website. You never get a second chance to make a first great impression with your screenplay. Make the time to get it right…
Need help navigating Hollywood’s trenches as you pursue a screenwriting career? Check out my new book “A Screenwriter’s Journey to Success” now available on Amazon. It chronicles my past twenty years working as a professional screenwriter in Hollywood. Click on the book cover for the link to Amazon for purchase.
Need help reaching your screenwriting goals? Maybe my on-demand webinars can help. Click on the icon below for the link to the webinars for rent or purchase.
“The reward of suffering is experience.”—Aeschylus, Ancient Greek Dramatist known as the founder of Greek Tragedy
“The writer’s only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then.”—William Faulkner
“Our doubts are traitors,
and make us lose the good we oft might win,
by fearing to attempt.”—
Shakespeare, Measure for Measure, Act 1 Scene 4
“Don’t focus on where you’re not (famous or A-list writer)—focus on where you’re at—hopefully screenwriting. Regardless of success or experience, we’re all equals in front of that blank page channeling the muse.”—Scriptcat
“Seeking support from friends and family is like having your people gathered around at your deathbed. It’s nice, but when the ship sails, all they can do is stand on the dock waving goodbye. Any support we get from persons of flesh and blood is like Monopoly money; it’s not legal tender in that sphere where we have to do our work. In fact, the more energy we spend stoking up on support from colleagues and loved ones, the weaker we become and the less capable of handling our business.” —Steven Pressfield, “The War of Art”
January 30, 2018 § Leave a comment
If you’re lucky, the spark of creativity strikes when you are young. It’s a time to explore your artistic interests with eyes open wide and a fearless hunger to create. It’s the time for pure creativity without any negative filters. You may explore a range of artistic endeavors before you’re lucky enough to discover the one that brings you the most joy. It’s exciting as you experience a passion for your work—the motivating force that makes you wake up in the morning with eager anticipation of creating something again. It soon becomes an important part of who you are as a person.
It also helps to grow up in a family where both parents encourage and support your creative endeavors. My parents knew too well a life of regrets from never fully going after their dreams. They both grew up in the same small town in families that didn’t support or nurture their artistic passions and as a result, their dreams were never allowed to thrive. My parents encouraged my brother and me to dream—big. They always told us they never wanted to stifle our artistic interests like their parents had done to them. Sure, they knew it’s risky to follow a dream, but they believed it was worth it for us to try to achieve what they did not. They just wanted us to be happy.
Neither of my parents nor any of my extended family was in the film industry. I had to make my breaks the old-fashioned way—hard work, discipline, tenacity, resolute faith, and a pitbull’s mentality to make it. Nepotism certainly helps to cut you a break in Hollywood, but luck helps—and luck is when you’re offered an opportunity and you’re prepared to do the job. You’ll only succeed if you’ve mastered your craft and you can deliver the goods as a professional. Being raised by two encouraging and supportive parents definitely was the necessary ingredient for me to pursue my creative endeavors and eventually make screenwriting my career. You’re blessed if you can find your calling in life as your job because it doesn’t feel like a job—it’s pleasure to go to work every day.
The journey of every artist is unique, and your survival depends on being confident enough to believe that you can make it, but remaining humble and respecting that it’s a marathon climb to any level of success. It starts with your passion to take an idea and follow it through to completion. I was reminded of this again when I embarked on my journey to write my first book—something that could help aspiring screenwriters avoid the many pitfalls that a screenwriting career will bring. It was truly another dream realized. The book grew out of my twenty years of professional screenwriting in Hollywood’s trenches, where I’ve been blessed to work and collaborate with many top professionals including Academy Award® winning producers, veteran directors, and Academy Award®, Emmy®, and Golden Globe® acting nominees.
Many of these filmmaking veterans have become my close friends and mentors, and the priceless knowledge I’ve learned from them has certainly helped make me the filmmaker that I am today. My interest in writing a book grew from my desire to pay it forward, as they have done with me, by sharing my own journey with my successes and failures that started when I was just eleven years old and made films with my friends.
My hope with this book is that by sharing my experiences and disciplines, other screenwriters can avoid the many pitfalls and survive in the trenches as they pursue their own screenwriting journey to success. I want to inspire and drive them to realizing their own dreams like I’ve been able to achieve. Over time and with experience, screenwriters find their unique style by using their own techniques and disciplines to help establish their careers.
Once your creative spark is ignited, only you can extinguish it, so use your passion to keep your dream alive and protect it from those naysayers who whisper their own fears into your ears. Write every day, remain humble, respect and master your craft, and become a prolific screenwriter. As you work toward achieving success, your courage, tenacity, and talent will generate magical moments you could never have imagined possible.
Check out my new book, A Screenwriter’s Journey to Success: Tips, Tricks and Tactics to Survive as a Working Screenwriter in Hollywood, now available on Amazon.
“I have known Mark my entire life, and he is absolute living proof of the grit and tenacity it takes to make it as a writer in this business. Take your first steps toward your own career by reading the words of this true fighter.“— Matt Reeves, writer/director
(Cloverfield, Let Me In, Dawn Of The Planet of the Apes, War For The Planet of the Apes)
“A great book for anyone who ever aspired to become anything; Sanderson reminds us how important it is to have a life passion, how important it is to work hard at it, and how that, in itself, is a victory.” — J. J. Abrams, writer/producer/director
(Mission Impossible III, Star Trek: Into Darkness, Star Wars: The Force Awakens)
“Mark’s work as a screenwriting guru is as thorough, as painstaking, and as insightful as his actual screenwriting was on Tides Of War, our submarine drama. As aspiring writers soon learn it’s a complex, changeable, lonely field of endeavor, so Mark provides not only valid professional advice but also meaningful emotional support for all those who stare into the abyss of an empty page. Read Mark, and your keystrokes will accelerate.”
— Brian Trenchard-Smith, producer/director
(Dead End Drive In, BMX Bandits, Drive Hard, and 40 others)
“Not only have I collaborated with Mark as a writer, more importantly I have found him to be a true artist who walks his talk. Whenever the chips are down, whenever I’ve needed some creative or inspirational, perhaps technical help — even if it’s at 3:00 in the morning — Mark has been there invariably. Infallibly. As a screenwriter, director, or producer, this book is the very next best thing to having Mark in your corner at 3 A.M.”
— George Mendeluk, writer/producer/director
(70 credits, over 300 hours of television, and 9 features including the epic Bitter Harvest)
“Mark is a journeyman screenwriter, my good friend and collaborator on several projects. This is a must have book of reference for those not only about to embark in a career in the entertainment industry, but also for those who want to learn from someone who’s been there and done that. Mark is extremely candid about what it takes and how hard it is to ‘make it’ in this business. This should be on everyone’s desk right next to their computer.”
— Greg Grunberg, actor and writer/producer
(actor Alias, Heroes, Big Ass Spider, Star Wars: The Force Awakens)
Need a bit of help with your latest screenplay? Could it be time for in-depth consultation before you unleash it upon Hollywood? Check out my services by clicking on the icon below for the link to my website.
Need a bit of screenwriting advice with your morning coffee? Check out my COFFEE RING CARTOONS merchandise for screenwriters now at my online store. New merch up on the site! Coffee mugs, T-shirts, mouse pads, notebooks, glassware, and note cards. Click on the photo below for the link to my online store.
“Writing is survival. Any art, any good work, of course, is that. Not to write, for many of us, is to die. We must take arms each and every day, perhaps knowing that the battle cannot be entirely won, but fight we must, if only a gentle bout.”—Ray Bradbury
“Are you a born writer? Were you put on earth to be a painter, a scientist, an apostle of peace? In the end the question can only be answered by action. Do it or don’t do it… creative work is not a selfish act or a bid for attention on the part of the actor. It’s a gift to the world and every being in it. Don’t cheat us of your contribution. Give us what you’ve got.”—Steven Pressfield, “The War of Art”
“The cave you fear to enter holds the treasure you seek. The big question is whether you are going to be able to say a hearty yes to your adventure.” — Joseph Campbell
“My passions drive me to the typewriter every day of my life, and they have driven me there since I was twelve. So I never have to worry about schedules. Some new thing is always exploding in me, and it schedules me, I don’t schedule it. It says: Get to the typewriter right now and finish this.”—Ray Bradbury
January 28, 2018 § Leave a comment
I just wrapped up my second draft of a new script assignment and it ended up being a two-week rewrite executing the producer’s notes. The beginning remained the same, but the middle and the end received heavy structural changes — and now I see more clearly it was for the better. What I didn’t realize is that when I was restructuring the final act, I actually came up short with regards to the amount of story. I was shocked, as I had expected the ending to come together with ease, but now I was nearing my deadline and concerned. The solution wasn’t coming to me and it took a few solid days of looking at the ending from different angles and just sitting with the material—even if nothing immediately clicked. This is good practice and will help you get through the rough periods — and trust me, you know when the screenwriting gets difficult.
The answer to my story puzzle didn’t immediately present itself as many times it does, and I was forced to really put myself into my screenplay’s story world. The puzzle piece was right in front of me the entire time, but I could not see it. So, I took another approach and focused on the characters and their motivations, and eventually it was the villain who showed me the way. After about three days, I figured out the key to the new ending of the script and finished my rewrite by the deadline.
When you’re in the thick of it and the screenwriting becomes difficult, don’t avoid your screenplay and run off to do something else. This leads to procrastination and it doesn’t help you solve your problems but just makes you avoid them. Face your screenplay problems head on with determination to break through that barrier. I’ve always found that if you sit with the material, even if you don’t immediately find the answers, eventually something will click and you’ll find that missing piece of the puzzle to finish.
Copyright 2018 by Mark Sanderson for his blog MY BLANK PAGE
Did you just complete your latest screenplay? Time for in-depth consultation? Check out my services by clicking the icon below for the link to my website. You never get a second chance to make a first great impression. Take the time to get your script right.
Need advice on navigating Hollywood’s trenches as you pursue your screenwriting career? Check out my new book “A Screenwriter’s Journey to Success” now available on Amazon. It chronicles my past 20 years as a professional screenwriter in Hollywood and I share my tips, tricks and tactics that have helped me stay in the game. Click on the book cover for the link to Amazon.
Need some screenwriting inspiration with your morning coffee? Check out my COFFEE RING merchandise for screenwriters at my new online store. Click on the photo below for the link to find T-shirts, mugs, glassware, notebooks, mouse pads, and more.
“Do you have the patience to wait until your mud settles and the water is clear?”
― Lao Tzu, Tao Te Ching
“You can write any time people will leave you alone and not interrupt you. Or rather you can if you will be ruthless enough about it. But the best writing is certainly when you are in love. If it is all the same to you I would rather not expound on that.”—Ernest Hemingway
“Most directors do not want to rewrite the script. They have more pressing commitments on the sound stage. The writer’s best insurance against a rewrite is to have an understanding of the directorial problems. Write a scene that can’t be played, no matter how beautiful the words or thoughts, is begging for a revamp.”—Jerry Lewis
“The time we have alone; the time we have in walking; the time we have in riding a bicycle; are the most important times for a writer. Escaping from a typewriter is part of the creative process. You have to give your subconscious time to think. Real thinking always occurs on the subconscious level.”—Ray Bradbury
January 9, 2018 § Leave a comment
It’s time again for a guest blogger here on MY BLANK PAGE!
Appearing for his fifth time with another superb contribution about screenwriting in the trenches… welcome back U.K. based screenwriter Niraj Kapur.
“How to regain your confidence as a screenwriter” by Niraj Kapur.
You’ve been rejected by managers who say, “you’re not what we’re looking for.” A script reader requests your scripts then never returns your phone call or email. You spend hours waiting to meet an agent who doesn’t even show up despite the fact you reminded them the day before. A producer agrees to option your script, then tries to pay you less than minimum wage.
You pour heart and soul into anything you care about, you sometimes get good results.
Writing has a different set of rules. There are absolutely zero guarantees.
The internet has helped lots of artists get exposure, especially musicians. As a screenwriter, you still need a producer, director, crew and lots of investment which most writers don’t have access to.
I’ve seen talented screenwriters give up after several years of struggle and seen many slightly above average writers make it because they had family connections, childhood friends in the business, or got on well with a producer’s assistant at a party. A friend of mine who has never written in his life received a paid option because he’s best friends with an upcoming movie star. Did he spend years toiling at his craft? No, he wrote a rough treatment in a week. That’s it!
Can you imagine how that feels?
This business can easily drive you mad and knock your confidence. So how do you stay sane and how do you rebuild your confidence and find work after constant rejection?
Here’s what I did which helped me recently get a producer and director attached to my new Irish drama screenplay, Belfast Son.
- Take care of your health.
Sitting down all day is not good for you and the gym isn’t for everyone. Walking 30 minutes a day is a good start. I’ve tried yoga which aches and mediation which sends me to sleep. However if that works for you, please enjoy. Reiki has worked well for maintaining my inner calm.
- Take care of your nutrition.
I’ve cut out carbs at lunch and have more energy in the afternoon. I also avoid chocolate until end of the day which is torture, but worth it for the increased focus and concentration I get when writing.
- Find a writing support group.
I have a group of five writers called The Gamechangers. We make it a policy that it’s a support group, so although you can whine and complain about your frustrations sometimes, it’s more important to be positive and help each other out.
- Keep in touch with people who said “no.”
I contacted forty producers and agents I’ve known over the years who I liked, yet who turned down my work. I simply wrote them a letter, since hardly anyone received letters these days, telling them about my adventures attending pitching events in L.A. and that I had a new project that may interest them with a simple logline.
- Twenty-six of them didn’t get back to me.
- Seven replied saying were two busy.
- Four didn’t like my concept.
- Three of them liked my logline and asked to read my screenplay.
- Two producers said they would like to make it
- Only one of them actually contacted me and offered to option the screenplay.
- Follow inspirational people on Twitter.
@katherinefugate – writer of Valentine’s Day and New Years Eve.
@jakethornton – screenwriter making huge waves.
@stephenking – a master at everything he does.
@jk_rowling – no explanation needed. Simply amazing.
@bang2write – amazing resource for writers.
@indust_scripts – writing services and excellent industrial events.
@barackobama – inspirational.
@Markruffalo – fighting for everyday people.
@officialjimrohn – the father of personal development
@bettemidler – biting and very funny
@sarahksilverman – compassionate, caring, very funny
- Write every day.
Most writers I know have a 9-5 job. Then they try to write on top of that. When you have family commitments, that makes writing even tougher. Writing one hour a day, even 30 minutes in the morning and 30 minutes over lunch is better than nothing.
That’s all it took to rebuild my confidence. The producer liked my screenplay so much, he has a director on board and is now seeking financing.
Niraj Kapur has had several screenplays optioned, sitcoms commissioned, and his movie Naachle London was released in British cinemas in 2012. His non-fiction book, Everybody Works in Sales, will be released March 20. Visit his website at www.nirajkapur.com.