Respect and protect your first draft…

May 6, 2018 § Leave a comment

IMG_1059I remember my first feature-length screenplay. I got lost somewhere in the barren wasteland of ACT 2 and felt like I would never reach the end. Now, thirty-five screenplays later with fourteen produced films from nineteen paid assignments and one spec sale, I have a better grasp on the process, but it’s always a new and different experience every time you type FADE IN. I respect this fact. Early on in my journey, I thought it would be screenwriting would be an easy experience, and I was humbled every time by the enormity of the craft.

Do not fool yourself into thinking your first draft has to be shit or you should just, ‘Get it down on paper.” It’s just the opposite—your first draft is extremely important because the DNA of your story and characters lives in this precious first pass. I love this quote from six time Academy Award nominee screenwriter Ernest Lehman (Sabrina, Sweet Smell of Success, North by Northwest, The Sound of Music, Who’s Afraid of Virgina Wolf?):

“Good screenwriting is about carpentry. It’s a juggling of beginnings, middles and endings so they all inevitably seem to be moving correctly together. Your first draft is dangerously important. Don’t ever kid yourself into thinking, “It’s okay, it’s just the first draft.”  Beware of that thought, because it’s ten times more difficult to go in a certain direction once you’ve gone in another direction.”—Ernest Lehman

It’s true. I know from experience that it’s difficult to totally rewrite a first draft from page one into something new. Sadly, too many times it ends up becoming a jumbled mess as the foundation of the story is being altered underneath the story. My advice is to make your first draft your best possible work at the time. When writing it, act as if you’ll never get another chance to touch the screenplay.

You should use your specs as training to turn out a superb first draft to prepare you for the day when you’re hired for a screenplay assignment. This pays off in many ways, most importantly when you’re working for a producer and your solid first draft helps reduce the development process and can secure the interest of investors, a director, and actors. A solid, kick-ass first draft will also keep you on the screenplay assignment and not get you replaced by another screenwriter.

praise or blameMake sure your screenplay suffers the fewest amount of changes during the development process. Trust me, you don’t want your script to get bogged down in development hell. It’s hard to climb out of that pit and too many times projects die a tragic death from too many drafts over a long period of time. The script can end up unrecognizable after the multiple drafts and ultimately the writer can be blamed for the producer’s decisions to change the story.

I’m not suggesting that you agonize over every word, but treat your first draft with the seriousness it deserves. A solid first draft will help with faster rewrites because you’re not reinventing story lines, but you’re doing a “clean up” job. You want to avoid situations where your first draft is shit and you have to do a page one rewrite instead of a clean up. When you start working on paid screenwriting assignments, you will not have the luxury of turning in a crappy first draft. The producer or executive will expect the best possible draft that matches the accepted story treatment. Anything less will endanger your chances of getting a chance at draft two and staying on the project through production.

Avoid a “vomit” draft because you can use that precious time to work it into something excellent. Why not? A sold first draft also helps lessen massive rewrites on the successive drafts.

hang onAnd continuing of the subject of first drafts the question always arises, “How long should a first draft take?” If you’ve been screenwriting for a while, you’ll be able to estimate how fast you can write a first draft of a screenplay. That’s important because when you start working professionally, you will need to work under a contracted deadline and deliver the goods on time at the top of your game. Time is our greatest asset or worst enemy—it depends on how you respect and use it. This is why I recommend that beginning screenwriters to always set their own realistic writing schedules when writing their specs so they’ll be training for the day when a professional opportunity arrives.

You may labor over your spec for six months or longer because there is no deadline and your life keeps getting in the way. Once screenwriting becomes your job, and it is a job, you’ll need to have the stamina and focus to write six or more hours per day to meet a deadline. If you haven’t already, you need to set up a regular, uninterrupted writing schedule and protect it at all costs. If the forces of interruption get in the way, you’re productivity and success will be severely hampered.  An important element in writing is consistency and if you skip one day, and then two, you’ll find yourself losing the vital focus to keep your script on track. As you’ve probably found out already, there is always something else to do then write. It’s important to finish out a day writing, no matter the page count, and get right back to it the next day while it’s fresh in your mind. This builds consistency and a regular schedule.

If you’re working under a WGA union contract, the minimum time for a first draft is usually twelve weeks. You can guarantee the producer or executive will start calling your agent or manager in about four weeks, sniffing around to see how you are progressing. In my contract for my recent screenwriting assignment that I completed a few months ago, I agreed to a four-week schedule to turn in my first draft. I completed the script in 25 days and turned in my 105 page script a few days early after going over it a few times myself. It wasn’t impossible because I was working from a solid story treatment that I crafted and it was authorized by the producer and production company. I’ve also worked under a contract that allowed four weeks for a first draft. When you’re working on assignment jobs, producers will not allow you to start the script until the story treatment or step outline is completely fleshed out. This way your screenwriting will be a breeze as you have a solid road map to follow. It’s such a creative high when you complete a solid day of writing and leave it where you can’t wait to get up the next morning and start again.

My fastest time for writing a first draft was twenty days. That was five pages a day, every day to get the job done. When I finish early, I go over the script again by myself for a polish before I turn it in to the producer. I believe too much time can harm the process because every project has a deadline, otherwise nothing would get into development or be produced. You should work on your spec story treatment for a longer time, because about seventy-five percent of the work should go into the story development of the script. The script itself?  I think two months would be a huge amount of time. If you’re working six to eight hours a day, you should be able to write five or more pages on a normal day. You also have to remain fluid because you never know how the experience will develop and every time out it’s different. I once had to write 26 pages in 24 hours because the German investors were coming into town! I never want to experience that frenzy again, but it’s nice to know my abilities under pressure.

If you want to eventually work professionally, as I’m sure is your goal, you will need to work efficiently under a deadline, and at the best of your ability. It’s basically working quickly at the best of your creativity on a schedule and under a deadline. The only way to get to this place is to always set your own deadlines and meet them every time with your spec screenplays. If you’re not practicing this writing schedule now, I’d suggest starting it on your next project. Respect that first draft, protect it, and you’ll end up with a solid foundation that will lessen the rewrites.

Keep filling your blank pages and keep the faith.

@Scriptcat out!

Copyright © 2018 by Mark Sanderson on My Blank Page blog.

And speaking of first drafts… before you go… if you just completed a new screenplay and need in-depth consultation, check out my screenplay consultation services by clicking on the blue icon below for the link to my website.

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Need help to navigate Hollywood’s trenches as you pursue a screenwriting career? Check out my new book “A Screenwriter’s Journey to Success” now available on Amazon. It chronicles my past twenty years of screenwriting professionally in Hollywood using my tips, tricks and tactics that have helped me to stay in the game.

Click on the book cover for the link to Amazon for purchase.

 

 

 

 

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“Ideas are born from what is smelled, heard, seen, experienced, felt, emotionalized.”—Rod Serling.

“Plot is no more than footprints left in the snow after your characters have run by on their way to incredible adventures.”—Ray Bradbury, Zen in the Art of Writing

“You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.”—Joseph Campbell

“Screenwriting is such a very special branch of literature. In some ways, it’s closer to the poetic form than it is to the dramatic. A lot of writers think that they write down to an audience if they do a motion-picture script.”—John Huston

“When I first meet with the scriptwriter, I ask him what is the story about—what do you see—what was your intention?”—Sidney Lumet

“Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it – wholeheartedly – and delete it before sending your manuscript to press. Murder your darlings.” — Sir Arthur Quiller-Couch, On the Art of Writing, 1916

“If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same.”—Rudyard Kipling, “If

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Three more tips, tricks and tactics to help on your screenwriting journey…

April 28, 2018 § Leave a comment

alfred-hitchcockreading-script-for-the-movie-rebeccaIf you’re a regular reader of this blog, first of all—THANK YOU! I truly hope you’re busy creating new projects and forging ahead on your screenwriting journey. As you may know, I’ve been adding short posts (nothing is EVER short on this blog!) and sharing various survival tips. I do speak about these tips in the over 250 articles on this blog, but this feature will be a quick reference to glance over and consider as you navigate Hollywood’s trenches. Follow me on Twitter (@scriptcat). and on Instagram. I’ll be posting new articles here when my time allows. Thanks for reading and as always: Carry on, keep the faith and keep screenwriting! Okay, here are three more survival tips that will help you on your screenwriting adventure…

TIP #1: 

Find filmmaking mentors and apprentice with them. lucas & coppola on set

Another good way to do your homework with regards to learning is to find a filmmaking mentors and apprentice under them or at least have access to them as they are working. Many busy screenwriters need an assistant and they’re willing to pay an hourly wage for the job. It’s a great way for aspiring screenwriters to learn while getting paid. If you can’t find a paid position, offer your time to a working screenwriter in exchange for access to their knowledge and the whole process they go through daily. A true professional is always willing to give back and share knowledge. When you’re able to observe working professionals, be like a sponge and soak up everything you can and ask questions. I’ve been blessed over the years to work with many top professionals and veterans of the film business and a few have become my mentors. This includes directors and a few have become my mentors and friends. I’m currently working with two directors on various projects that we are developing together and will take out into the marketplace as partners. As I worked with them and collaborated on the films that I wrote, I was able to have inside and unlimited access to help build my screenwriter’s toolkit. Seeking knowledge is an ongoing discipline for every artist. Keep filling your blank pages. If you stop you’ll never have any chance at success.

TIP #2: 

Work your way to becoming a multi-hyphenate screenwriter. multi-hyphenate

Eventually to gain more creative control over your projects, you’ll need to become a multi-hyphenate filmmaker and not just a screenwriter who is a “hired gun.” This means along with your talent for creating the script you will move into producing and or directing as a way to keep your total creative vision on the project. This won’t likely happen on your first few screenplays, but eventually you can negotiate your way into being one of the key decision makers or ultimately the director whose vision takes the script to the screen. Your goal is working your way into being a double threat: A writer/producer or writer/director—or a triple threat: a writer/producer/director.

TIP #3:

When you just finish your first draft—do not immediately give it to someone for a read. Let the creative dust settle and go over it by yourself first. karloff script

Avoid the temptation to give anyone your screenplay moments after you finish it. Put it away and let it settle for a few days or even a week before giving it your first read. You’ll be coming down from your natural creative high and you don’t want anyone to harsh your buzz. It’s the necessary time a screenwriter needs to spend alone with his/her script. You’re also in a raw and vulnerable place after giving birth to new material, so you don’t want feedback now to taint your clear vision or perspective. This will only lead to chasing notes because everyone has an opinion about your work. Keep your script close. Don’t boast or talk about it. You did the work, now go and do something to celebrate. You need to enjoy the little and big successes on your long journey as a screenwriter. Keep the faith and keep filling your blank pages. Nothing is guaranteed on this screenwriting journey except one thing— if you quit writing, you’re guaranteed never have any chance at success.

Scriptcat out!

Copyright 2018 by Mark Sanderson on MY BLANK PAGE.

Did you just finish your latest screenplay or a new draft? Is it time for in-depth consultation? Check out the different packages I offer by clicking on the icon below to schedule your consultation. You never get a second chance to make a first great impression with your screenplay. Make the time to get it right before you unleash it upon Hollywood.

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Need help to navigate Hollywood’s trenches as you pursue a screenwriting career? Check out my new book “A Screenwriter’s Journey to Success” now available on Amazon. It chronicles my past twenty years of screenwriting professionally in Hollywood using my tips, tricks and tactics that have helped me to stay in the game. Click on the book cover for the link to Amazon for purchase.

 

 

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The time we have alone; the time we have in walking; the time we have in riding a bicycle; are the most important times for a writer. Escaping from a typewriter is part of the creative process. You have to give your subconscious time to think. Real thinking always occurs on the subconscious level.”—Ray Bradbury

“Do you have the patience to wait until your mud settles and the water is clear?”― Lao Tzu, Tao Te Ching

“All you need to do is write truly and not care about what the fate of it is.”—Ernest Hemingway

“No person who is enthusiastic about his work has anything to fear from life.”—Samuel Goldwyn

I don’t think of it as an art. When it works it’s skill & craft and some unconscious ability”—Ernest Lehman

“When the last dime is gone, I’ll sit on the curb outside with a pencil and a ten cent notebook and start the whole thing over again.” — Preston Sturges

Work inspires inspiration. Keep working. If you succeed, keep working. If you fail, keep working. If you’re interested, keep working. If you’re bored, keep working.”—Michael Crichton

Don’t seek validation from outside but from within…

March 16, 2018 § Leave a comment

pitchAh, validation. All writers have a need for  some type of recognition of their work in a positive manner. We all need a pat on the back or just a “job well done” comment every once in a while. Many times you won’t find the validation you seek on the outside, but inside yourself for walking the talk and completing a screenplay. In fact, many times the only validation will come from when they stamp your parking ticket after the meeting. I’m always suspicious of the production companies that don’t pay for a writer’s parking. You pull into the parking lot and read the rates are $2.50 (£1.63 / 2.24) every fifteen minutes—ten bucks ( 8.96 / £6.52 ) per hour! It could be foreshadowing of a terrible ending. Sure enough, after the meeting is over they pass on your project and it’s like rubbing lemon into your paper cut as you race down the stairwell because the quarter-hour is approaching and you don’t want to blow another $2.50 unless you have to do it.

thAfter you finish a new screenplay it’s a vulnerable period because you’re exposing your work to criticism and possibly rejection. You’re coming off a major creative high and you don’t want anyone to spoil your euphoria. And then you discover it’s difficult to find someone else who shares your level of excitement about your script. It’s a feeling of lonely disappointment as if you’re the only person who is championing your cause. Stay strong and trust in your daily disciplines to get you through.

Writing the screenplay is the first big hurdle, but waiting for the validation from feedback is another. It’s easy to take notes personally because your script is your baby and your writing exposes yourself and your talents to the world. If you can’t handle critical opinions, work on detaching from your work, as it will make the process easier for survival. Notes and changes are standard procedure with any screenplay at every level of the film business because the script is an ever-changing blueprint for a movie.

Once the producers, the director, and actors become involved there will be changes and you should welcome the creative input from your co-collaborators. These fellow artisans will bring the script to an entirely new level of creativity. The problem comes when so many changes drag down the process and you become frustrated and feel like throwing in the towel. Stay positive and focus on turning in a script that is closer to what everyone needs to produce the film. That’s your ultimate goal—production. Find the passion you had for the first draft and put that energy into shaping the new draft. You’ll please not only yourself, but also the producer and other talent your script needs to attract to get produced.

I remember when one of my films screened for the cast and crew. I attended, sat next to the stars of the film, and even shared their popcorn. The producer addressed the audience from the screen where he introduced the key players who made the film and thanked them. He mentioned the stars, director, various crew members, even the craft service guy who  “made fantastic sushi.” I assumed he would mention my name, but somehow, it slipped his memory. I sat there mortified and the stars of the film gave me a supportive look. The lights dimmed and the movie started—a movie that I wrote!

CUT TO: The production company’s offices and after screening party. It was a crowded affair with many industry types and crew members. After a few martinis, I was chatting with a character actor who starred in many Cohen Brothers films. The producer found me, marched over, and apologized profusely. He said that he didn’t know that I was at the screening. Talk about validation…

script oddsIf you’re going to play in the majors, you’re competing with the best and you must accept that sometimes you won’t find the validation you need. Many times you will be disappointed from your feedback and your high expectations may be squashed. Your ego’s bruised, beaten to a pulp and you to doubt your talent and chances for success. Don’t take it personally, because feedback is a rite of passage necessary for the growth of any aspiring screenwriter. You’ll need to survive over the long haul of a career to endure disappointment criticism and rejection. As you embrace this process, you’ll begin to look at constructive feedback as a positive experience that helps make your script better and teaches you collaboration as a team player.

You’re certain to experience many disappointments as you pursue a career, but do not perceive any of them as failures or setbacks. These experiences are part of a screenwriter’s journey and you’ll always succeed if you keep a positive outlook and never stop writing.

Scriptcat out!

Copyright 2018 by Mark Sanderson on blog My Blank Page.

Follow me on Twitter/Periscope: @scriptcat

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Did you just complete your latest screenplay and need in-depth consultation? Check out my professional services by clicking on the blue icon below for the link to my website.  You never get a second chance to make a first great impression with your screenplay. Make the time to get it right…

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Need help navigating Hollywood’s trenches as you pursue a screenwriting career? Check out my new book “A Screenwriter’s Journey to Success” now available on Amazon. It chronicles my past twenty years working as a professional screenwriter in Hollywood. Click on the book cover for the link to Amazon for purchase.

 

 

 

Need help reaching your screenwriting goals? Maybe my on-demand webinars can help. Click on the icon below for the link to the webinars for rent or purchase.

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“The reward of suffering is experience.”—Aeschylus, Ancient Greek Dramatist known as the founder of Greek Tragedy

“The writer’s only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then.”—William Faulkner

“Our doubts are traitors,
and make us lose the good we oft might win,
by fearing to attempt.”—
Shakespeare, Measure for Measure, Act 1 Scene 4

“Don’t focus on where you’re not (famous or A-list writer)—focus on where you’re at—hopefully screenwriting. Regardless of success or experience, we’re all equals in front of that blank page channeling the muse.”—Scriptcat

“Seeking support from friends and family is like having your people gathered around at your deathbed.  It’s nice, but when the ship sails, all they can do is stand on the dock waving goodbye.  Any support we get from persons of flesh and blood is like Monopoly money; it’s not legal tender in that sphere where we have to do our work.  In fact, the more energy we spend stoking up on support from colleagues and loved ones, the weaker we become and the less capable of handling our business.” —Steven Pressfield, “The War of Art”

Be prepared for opportunities

 

Always set and meet deadlines when writing your specs…

February 26, 2018 § Leave a comment

hang onAh, the march of time and the dreaded specter of deadlines. It can be the downfall of writers because they haven’t yet trained themselves to achieve their best results with a specific due date. As a screenwriter, time can be your greatest asset or worst enemy, it’s how you decide to respect the time given to write a project. You’ll face deadlines your entire life and more importantly as you’re screenwriting. Sure, you can spend copious amounts of time on your specs with an open-ended schedule that doesn’t include a specific finish date, but you’re not training yourself for the time when you do finally land a screenplay assignment job with a payday and a concrete deadline.

Use your specs as training tools to learn the craft of screenwriting, find your unique writer’s “voice,” and to practice writing a screenplay under a self-imposed deadline. Don’t look at your specs as million dollar sales. The odds are astronomical of selling a spec. In fact, most years only around 100 specs or less sell at the studio level in Hollywood out of an estimated 50,000 registered yearly with the Writers Guild. When I first started writing screenplays, I mistakenly believed that everything that I wrote would sell. I was quickly humbled and it wasn’t until my 5th spec that finally sold. Yes, I’ve sold one spec in my career, but that opened the door to highly coveted assignment work and has blossomed into 19 paid assignments that have produced 13 films so far and 2 paid TV pilot assignments. Specs are the training tools for you to learn and master screenwriting. Yes, a few of them might end up being winners, but the first four or five will be a mess. After that, you hope that your best work will make some noise and get you hired to write a screenplay for a producer or executive.

rewritesThis is why meeting deadlines are vital to your success as a working screenwriter. When you land an assignment job, you’ll sign a contract and agree to complete the screenplay within a specific time frame. Producers don’t want to be stuck in development hell for years and they too have deadlines to meet. Once you sign the contract, you’re off to the keyboard and will have to produce a kick ass (no vomit drafts allowed here) screenplay in usually  four to eight weeks, depending on your contract. I’ve done it as fast as two weeks for a first draft but mostly four weeks.

You’ll be surprised at what you can achieve if you write every day following a solid story treatment. You have to learn how to be your most creative under the pressure of a deadline, while still writing as if you’re unaware of it. Professional screenwriters are professionals because a producer or executive pays them to get the job done—on time—every time. I always try to turn in my assignments a day or two before they are due, just to show that I’m at the top of my game.

If you’re blessed to work regularly and forge a screenwriting career, the reality is that it’s your job and how you make your living—and deadlines are now a fact of life. It’s not some romantic ideal of writing when you feel like it, but the reality that paid work comes from you filling blank pages—either of your own creation or from ideas that producers pay you to write. That’s what is known as a “working screenwriter.” That’s always been my goal since I started making films as a wide-eyed eleven year old kid—to work as a filmmaker in Hollywood. I’ve now been able to live my dream many times over during the past twenty years of my career.

IMG_1059Playwright, novelist and screenwriter Patty Chayefsky once said, “Artists don’t talk about art. Artists talk about work. If I have anything to say to young writers, it’s stop thinking of writing as art. Think of it as work.” If you start treating it as your job and meeting self-imposed deadlines, even if you do have a day job, you will begin to act in a professional way. This includes disciplines you must practice and master to prepare you for when it finally does become your job. If you dabble in screenwriting, it’s like sticking your pinkie into the Pacific Ocean. You’ll need to jump off the cliff without fear and plunge into the abyss with all of your might. Screenwriting professionals follow strict disciplines used to help guide them on their journey to success.

Disciplines like…

1. Set up self-imposed deadlines when writing your specs. Meet your writing page count every day and every week—even if it means working on weekends. Can you write a kick ass first draft in four weeks? Eight weeks? You’ll have to train yourself to be a fast writer who can deliver quality under the pressure of a deadline. If you stick to a regular schedule with self-imposed deadlines, maybe with a day job you can even write one or two feature specs a year. Once it’s your job, you will create under the pressure of a contracted deadline, so train now to get used to this reality.

2. Do the writing necessary to create a solid body of material that will represent you and compete in a competitive marketplace. One script will not do it and it might take five scripts over ten years to see any level of success in the film business. Remember, time is a writer’s greatest asset or worst enemy—it depends on how it’s used.

3. Look at the big picture of your screenwriting career goals and set up a yearly master plan. Make a project list of ideas, pitches, treatments, finished scripts and set deadlines and stick to them. Make a list of your contacts and where you submitted your scripts in the past. When you complete a new script and it’s completely ready for a read, follow-up with your network and offer them your latest creation. Lather, rinse and repeat. That’s how you will eventually sell something or get hired for an assignment.

4. Be humble and know that it’s a long climb to reach the top of the mountain you’re climbing. It’s your dream and no one forced you to choose this path, so take responsibility daily and hone your writing skills to reach the next plateau. Professionals respect the craft and climb the mountain every day. Sure it’s fraught with the pitfalls of rejection, criticism and failure, but a professional soldiers on in the face of adversity and for every two steps back, takes four steps forward.

Treat your screenwriting like a job and you’ll be acting as a professional and preparing yourself for the time when you do finally score the gig that opens the door to a career.

It’s a business with no guarantees—even if you do sell your screenplay. So keep writing, meeting your deadlines, and keep the faith because if you stop, you’re guaranteed never to have any shot at success.

Scriptcat out!

Copyright 2018 by Mark Sanderson on MY BLANK PAGE blog.

Join me on Twitter/Periscope @scriptcat

Subscribe to my YOUTUBE CHANNEL for weekly screenwriting videos.

Did you just complete your latest magnum opus? Time for in-depth screenplay consultation? Check out my services by clicking on the blue icon below for the link to my website for more information.

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Need help navigating Hollywood’s trenches as you pursue your screenwriting career? Check out my book “A Screenwriter’s Journey to Success” that charts my past twenty years of professional screenwriting in Hollywood and I share my tips, tricks and tactics that I’ve used to stay in the game. It’s now available on Amazon. Click on the book cover for the link for more information.

 

 

 

“Writing is survival. Any art, any good work, of course, is that. Not to write, for many of us, is to die. We must take arms each and every day, perhaps knowing that the battle cannot be entirely won, but fight we must, if only a gentle bout.”—Ray Bradbury

“Are you a born writer? Were you put on earth to be a painter, a scientist, an apostle of peace? In the end the question can only be answered by action. Do it or don’t do it… creative work is not a selfish act or a bid for attention on the part of the actor. It’s a gift to the world and every being in it. Don’t cheat us of your contribution. Give us what you’ve got.”—Steven Pressfield, “The War of Art”

“The cave you fear to enter holds the treasure you seek.  The big question is whether you are going to be able to say a hearty yes to your adventure.” — Joseph Campbell

“My passions drive me to the typewriter every day of my life, and they have driven me there since I was twelve. So I never have to worry about schedules. Some new thing is always exploding in me, and it schedules me, I don’t schedule it. It says: Get to the typewriter right now and finish this.”—Ray Bradbury

The long haul journey to reach any level of screenwriting success…

January 30, 2018 § Leave a comment

mark super8 copyIf you’re lucky, the spark of creativity strikes when you are young. It’s a time to explore your artistic interests with eyes open wide and a fearless hunger to create.  It’s the time for pure creativity without any negative filters. You may explore a range of artistic endeavors before you’re lucky enough to discover the one that brings you the most joy.  It’s exciting as you experience a passion for your work—the motivating force that makes you wake up in the morning with eager anticipation of creating something again.  It soon becomes an important part of who you are as a person.

It also helps to grow up in a family where both parents encourage and support your creative endeavors. My parents knew too well a life of regrets from never fully going after their dreams. They both grew up in the same small town in families that didn’t support or nurture their artistic passions and as a result, their dreams were never allowed to thrive. My parents encouraged my brother and me to dreambig. They always told us they never wanted to stifle our artistic interests like their parents had done to them. Sure, they knew it’s risky to follow a dream, but they believed it was worth it for us to try to achieve what they did not. They just wanted us to be happy.

Neither of my parents nor any of my extended family was in the film industry. I had to make my breaks the old-fashioned way—hard work, discipline, tenacity, resolute faith, and a pitbull’s mentality to make it. Nepotism certainly helps to cut you a break in Hollywood, but luck helps—and luck is when you’re offered an opportunity and you’re prepared to do the job.  You’ll only succeed if you’ve mastered your craft and you can deliver the goods as a professional.  Being raised by two encouraging and supportive parents definitely was the necessary ingredient for me to pursue my creative endeavors and eventually make screenwriting my career. You’re blessed if you can find your calling in life as your job because it doesn’t feel like a job—it’s pleasure to go to work every day.

sullivans-travels-052The journey of every artist is unique, and your survival depends on being confident enough to believe that you can make it, but remaining humble and respecting that it’s a marathon climb to any level of success. It starts with your passion to take an idea and follow it through to completion. I was reminded of this again when I embarked on my journey to write my first book—something that could help aspiring screenwriters avoid the many pitfalls that a screenwriting career will bring. It was truly another dream realized. The book grew out of my twenty years of professional screenwriting in Hollywood’s trenches, where I’ve been blessed to work and collaborate with many top professionals including Academy Award® winning producers, veteran directors, and Academy Award®, Emmy®, and Golden Globe® acting nominees.

Many of these filmmaking veterans have become my close friends and mentors, and the priceless knowledge I’ve learned from them has certainly helped make me the filmmaker that I am today. My interest in writing a book grew from my desire to pay it forward, as they have done with me, by sharing my own journey with my successes and failures that started when I was just eleven years old and made films with my friends.

Master CoverR2-4-REV2My hope with this book is that by sharing my experiences and disciplines, other screenwriters can avoid the many pitfalls and survive in the trenches as they pursue their own screenwriting journey to success. I want to inspire and drive them to realizing their own dreams like I’ve been able to achieve. Over time and with experience, screenwriters find their unique style by using their own techniques and disciplines to help establish their careers.

Once your creative spark is ignited, only you can extinguish it, so use your passion to keep your dream alive and protect it from those naysayers who whisper their own fears into your ears. Write every day, remain humble, respect and master your craft, and become a prolific screenwriter. As you work toward achieving success, your courage, tenacity, and talent will generate magical moments you could never have imagined possible.

Check out my new book, A Screenwriter’s Journey to Success: Tips, Tricks and Tactics to Survive as a Working Screenwriter in Hollywood, now available on Amazon.

Editorial Reviews

“I have known Mark my entire life, and he is absolute living proof of the grit and tenacity it takes to make it as a writer in this business. Take your first steps toward your own career by reading the words of this true fighter.Matt Reeves, writer/director
(Cloverfield, Let Me In, Dawn Of The Planet of the Apes, War For The Planet of the Apes)

“A great book for anyone who ever aspired to become anything; Sanderson reminds us how important it is to have a life passion, how important it is to work hard at it, and how that, in itself, is a victory.” — J. J. Abrams, writer/producer/director
(Mission Impossible III, Star Trek: Into Darkness, Star Wars: The Force Awakens)

“Mark’s work as a screenwriting guru is as thorough, as painstaking, and as insightful as his actual screenwriting was on Tides Of War, our submarine drama. As aspiring writers soon learn it’s a complex, changeable, lonely field of endeavor, so Mark provides not only valid professional advice but also meaningful emotional support for all those who stare into the abyss of an empty page. Read Mark, and your keystrokes will accelerate.”
Brian Trenchard-Smith, producer/director
(Dead End Drive In, BMX Bandits, Drive Hard, and 40 others)

“Not only have I collaborated with Mark as a writer, more importantly I have found him to be a true artist who walks his talk. Whenever the chips are down, whenever I’ve needed some creative or inspirational, perhaps technical help — even if it’s at 3:00 in the morning — Mark has been there invariably. Infallibly. As a screenwriter, director, or producer, this book is the very next best thing to having Mark in your corner at 3 A.M.”
George Mendeluk, writer/producer/director
(70 credits, over 300 hours of television, and 9 features including the epic Bitter Harvest)

“Mark is a journeyman screenwriter, my good friend and collaborator on several projects. This is a must have book of reference for those not only about to embark in a career in the entertainment industry, but also for those who want to learn from someone who’s been there and done that. Mark is extremely candid about what it takes and how hard it is to ‘make it’ in this business. This should be on everyone’s desk right next to their computer.”
Greg Grunberg, actor and writer/producer
(actor Alias, Heroes, Big Ass Spider, Star Wars: The Force Awakens)

 

Scriptcat out!

Need a bit of help with your latest screenplay? Could it be time for in-depth consultation before you unleash it upon Hollywood? Check out my services by clicking on the icon below for the link to my website.

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Need a bit of screenwriting advice with your morning coffee? Check out my COFFEE RING CARTOONS merchandise for screenwriters now at my online store. New merch up on the site! Coffee mugs, T-shirts, mouse pads, notebooks, glassware, and note cards. Click on the photo below for the link to my online store.

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“Writing is survival. Any art, any good work, of course, is that. Not to write, for many of us, is to die. We must take arms each and every day, perhaps knowing that the battle cannot be entirely won, but fight we must, if only a gentle bout.”—Ray Bradbury

“Are you a born writer? Were you put on earth to be a painter, a scientist, an apostle of peace? In the end the question can only be answered by action. Do it or don’t do it… creative work is not a selfish act or a bid for attention on the part of the actor. It’s a gift to the world and every being in it. Don’t cheat us of your contribution. Give us what you’ve got.”—Steven Pressfield, “The War of Art”

“The cave you fear to enter holds the treasure you seek.  The big question is whether you are going to be able to say a hearty yes to your adventure.” — Joseph Campbell

“My passions drive me to the typewriter every day of my life, and they have driven me there since I was twelve. So I never have to worry about schedules. Some new thing is always exploding in me, and it schedules me, I don’t schedule it. It says: Get to the typewriter right now and finish this.”—Ray Bradbury

When the writing gets rough, don’t run from your screenplay…

January 28, 2018 § Leave a comment

REWRITESI just wrapped up my second draft of a new script assignment and it ended up being a two-week rewrite executing the producer’s notes. The beginning remained the same, but the middle and the end received heavy structural changes — and now I see more clearly it was for the better. What I didn’t realize is that when I was restructuring the final act, I actually came up short with regards to the amount of story. I was shocked, as I had expected the ending to come together with ease, but now I was nearing my deadline and concerned. The solution wasn’t coming to me and it took a few solid days of looking at the ending from different angles and just sitting with the material—even if nothing immediately clicked. This is good practice and will help you get through the rough periods — and trust me, you know when the screenwriting gets difficult.

The answer to my story puzzle didn’t immediately present itself as many times it does, and I was forced to really put myself into my screenplay’s story world. The puzzle piece was right in front of me the entire time, but I could not see it. So, I took another approach and focused on the characters and their motivations, and eventually it was the villain who showed me the way. After about three days, I figured out the key to the new ending of the script and finished my rewrite by the deadline.

smash head in wallWhen you’re in the thick of it and the screenwriting becomes difficult, don’t avoid your screenplay and run off to do something else. This leads to procrastination and it doesn’t help you solve your problems but just makes you avoid them. Face your screenplay problems head on with determination to break through that barrier. I’ve always found that if you sit with the material, even if you don’t immediately find the answers, eventually something will click and you’ll find that missing piece of the puzzle to finish.

Scriptcat out!

Copyright 2018 by Mark Sanderson for his blog MY BLANK PAGE

Did you just complete your latest screenplay? Time for in-depth consultation? Check out my services by clicking the icon below for the link to my website. You never get a second chance to make a first great impression. Take the time to get your script right.

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Master CoverR2-4-REV2

Need advice on navigating Hollywood’s trenches as you pursue your screenwriting career? Check out my new book “A Screenwriter’s Journey to Success” now available on Amazon. It chronicles my past 20 years as a professional screenwriter in Hollywood and I share my tips, tricks and tactics that have helped me stay in the game. Click on the book cover for the link to Amazon.

 

 

Need some screenwriting inspiration with your morning coffee? Check out my COFFEE RING merchandise for screenwriters at my new online store. Click on the photo below for the link to find T-shirts, mugs, glassware, notebooks, mouse pads, and more.

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“Do you have the patience to wait until your mud settles and the water is clear?”
― Lao Tzu, Tao Te Ching

“You can write any time people will leave you alone and not interrupt you. Or rather you can if you will be ruthless enough about it. But the best writing is certainly when you are in love. If it is all the same to you I would rather not expound on that.”—Ernest Hemingway

“Most directors do not want to rewrite the script. They have more pressing commitments on the sound stage. The writer’s best insurance against a rewrite is to have an understanding of the directorial problems. Write a scene that can’t be played, no matter how beautiful the words or thoughts, is begging for a revamp.”—Jerry Lewis

“The time we have alone; the time we have in walking; the time we have in riding a bicycle; are the most important times for a writer. Escaping from a typewriter is part of the creative process. You have to give your subconscious time to think. Real thinking always occurs on the subconscious level.”—Ray Bradbury

How to regain your confidence as a screenwriter…

January 9, 2018 § Leave a comment

guest bloggerIt’s time again for a guest blogger here on MY BLANK PAGE!

Appearing for his fifth time with another superb contribution about screenwriting in the trenches… welcome back U.K. based screenwriter Niraj Kapur.

 

“How to regain your confidence as a screenwriter” by Niraj Kapur.

You’ve been rejected by managers who say, “you’re not what we’re looking for.” A script reader requests your scripts then never returns your phone call or email. You spend hours waiting to meet an agent who doesn’t even show up despite the fact you reminded them the day before. A producer agrees to option your script, then tries to pay you less than minimum wage.

Sound familiar?

You pour heart and soul into anything you care about, you sometimes get good results.

Writing has a different set of rules. There are absolutely zero guarantees.

The internet has helped lots of artists get exposure, especially musicians. As a screenwriter, you still need a producer, director, crew and lots of investment which most writers don’t have access to.

I’ve seen talented screenwriters give up after several years of struggle and seen many slightly above average writers make it because they had family connections, childhood friends in the business, or got on well with a producer’s assistant at a party. A friend of mine who has never written in his life received a paid option because he’s best friends with an upcoming movie star. Did he spend years toiling at his craft? No, he wrote a rough treatment in a week. That’s it!

Can you imagine how that feels?

This business can easily drive you mad and knock your confidence. So how do you stay sane and how do you rebuild your confidence and find work after constant rejection?

Here’s what I did which helped me recently get a producer and director attached to my new Irish drama screenplay, Belfast Son.

  1.  Take care of your health.

Sitting down all day is not good for you and the gym isn’t for everyone. Walking 30 minutes a day is a good start. I’ve tried yoga which aches and mediation which sends me to sleep. However if that works for you, please enjoy. Reiki has worked well for maintaining my inner calm.

  1.  Take care of your nutrition.

I’ve cut out carbs at lunch and have more energy in the afternoon. I also avoid chocolate until end of the day which is torture, but worth it for the increased focus and concentration I get when writing.

  1.  Find a writing support group.

I have a group of five writers called The Gamechangers. We make it a policy that it’s a support group, so although you can whine and complain about your frustrations sometimes, it’s more important to be positive and help each other out.

  1.  Keep in touch with people who said “no.”

I contacted forty producers and agents I’ve known over the years who I liked, yet who turned down my work. I simply wrote them a letter, since hardly anyone received letters these days, telling them about my adventures attending pitching events in L.A. and that I had a new project that may interest them with a simple logline.

  • Twenty-six of them didn’t get back to me.
  • Seven replied saying were two busy.
  • Four didn’t like my concept.
  • Three of them liked my logline and asked to read my screenplay.
  • Two producers said they would like to make it
  • Only one of them actually contacted me and offered to option the screenplay.
  1.  Follow inspirational people on Twitter.

For writers:

@katherinefugate – writer of Valentine’s Day and New Years Eve.

@jakethornton – screenwriter making huge waves.

@stephenking – a master at everything he does.

@jk_rowling – no explanation needed. Simply amazing.

@bang2write – amazing resource for writers.

@indust_scripts – writing services and excellent industrial events.

For non-writers:

@barackobama – inspirational.

@Markruffalo – fighting for everyday people.

@officialjimrohn – the father of personal development

@bettemidler – biting and very funny

@sarahksilverman – compassionate, caring, very funny

  1.  Write every day.

Most writers I know have a 9-5 job. Then they try to write on top of that. When you have family commitments, that makes writing even tougher. Writing one hour a day, even 30 minutes in the morning and 30 minutes over lunch is better than nothing.

That’s all it took to rebuild my confidence. The producer liked my screenplay so much, he has a director on board and is now seeking financing.

Niraj casual photo

Niraj Kapur has had several screenplays optioned, sitcoms commissioned, and his movie Naachle London was released in British cinemas in 2012. His non-fiction book, Everybody Works in Sales, will be released March 20. Visit his website at www.nirajkapur.com.

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